论东北解放区秧歌剧创作

发布时间：2018-01-18 05:08

本文关键词：论东北解放区秧歌剧创作　出处：《戏剧文学》2015年04期 　论文类型：期刊论文

【摘要】：东北解放区秧歌创作的一个突出的特点是对民间艺术的借鉴和改造,集体创作、群众创作现象明显,这与党建立巩固的根据地的政策有关,是国民党争夺东北解放区文化领导权的表现。东北解放区秧歌创作紧密围绕东北解放区人民翻身运动和自卫战争,通过文学想像的方式构建了新的民间伦理秩序,认定群众主体地位,肯定人民大众是社会前进、发展的动力,体现了政治意志、革命意识与民间伦理的契合。东北解放区秧歌剧在延安秧歌剧创作经验积累的基础上,将意识形态诉求与民间地方艺术形式结合,吸收了东北秧歌、东北二人转、东北民歌、东北大鼓书等艺术形式的营养,创造了集合戏剧、音乐、舞蹈等多种艺术形式带有浓郁地方特色的秧歌剧。
[Abstract]:A prominent feature of Yangge creation in the Northeast liberated area is the reference and transformation of folk art, collective creation and mass creation, which is related to the policy of the Party to establish a consolidated base area. It is the expression of the Kuomintang's struggle for the cultural leadership in the Northeast liberated areas. The Yangge creation in the Northeast liberated areas revolves closely around the people's turning over movement and the self-defense war in the Northeast liberated areas. Through the way of literary imagination, it constructs a new folk ethical order, determines the status of the masses as the main body, affirms that the masses are the motive force for the progress and development of the society, and embodies the political will. The integration of revolutionary consciousness and folk ethics. Based on the accumulation of experience in the creation of Yanan Yangyang opera in the Northeast liberated area, the ideological demands and folk local art form are combined to absorb the Northeast Yangge. The nourishment of the art forms such as Northeast Errenhuan, Northeast Folk songs and Northeast Dagu Books has created a variety of artistic forms, such as drama, music, dance and so on, with rich local characteristics.
【作者单位】：中国传媒大学文学院;
【基金】：牡丹江市社科项目:传播媒介与东北解放区文学(项目号:20141118) 牡丹江师范学院项目:现代性视域下乡土中国想象与叙事(项目号:wxyqn201321)
【分类号】：I207.3
【正文快照】： 解放战争时期东北解放区戏剧创作的一个突出的特点是对民间艺术的借鉴和改造,包括在东北解放区出现了大规模的秧歌剧运动。大体上指东北解放战争时期,活跃在东北广大地区各文艺团体、企业单位排演、改编延安秧歌剧,以及同时开展吸收了东北民间艺术形式的新秧歌剧的创作、演出

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