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胶东一枝花——柳腔艺术研究

发布时间:2018-01-18 09:01

  本文关键词:胶东一枝花——柳腔艺术研究 出处:《山东师范大学》2009年硕士论文 论文类型:学位论文


  更多相关文章: 柳腔 唱腔 艺术特征 语言特点


【摘要】: 音乐文化作为人类文化的一种类型有很多种表现形式,中国戏曲就是音乐文化重要表现形式之一。柳腔戏作为戏曲王国里的一分子,曾有过辉煌的发展轨迹,如今随着信息传媒技术迅猛发展,娱乐形式生存和发展越来越市场化的情况下,柳腔这一古老的民间艺术形式的发展受到了前所未有的挑战,随着观众群体的流失,其发展空间越来越小,开始步入濒危。本文旨在对柳腔进行较为全面的分析研究,并提出保护和发展的合理性建议,目的是通过对柳腔的挖掘整理,籍以丰富我国的民族音乐研究的内容,并希望引起人们对它的关注,使柳腔艺术不至于沉沦和消失。 文章共分为四个部分,采用先调查后分析的方式对所要研究的对象进行尽可能的梳理、整理和分析、研究。所涉及内容包括: 绪论,包括选题缘由、研究现状、思路与方法、研究的目的和意义几个方面的内容。第一章对柳腔戏的概况进行了阐述。本章主要追溯了柳腔形成的历史渊源、生存的人文环境以及它的文化艺术特征和价值,从深层挖掘柳腔由民间歌舞到戏曲形成的全过程,并着力分析了柳腔的社会价值:在上世纪七八十年代以前是胶东人民的主要精神文化食粮,在提高人们的审美情趣、规范道德意识、促进学习与交流等方面发挥着不可替代的作用。第二章对柳腔的艺术特征做了较为细致的分析、研究,这也是本文的重点。唱腔:柳腔属于板腔体,是单一声腔剧种。主要唱腔有[花调]和[悲调]以及吸收其他剧种曲调衍化而成的唱腔三部分。其中[悲调]是柳腔独有的腔调,其旋律凄楚哀怨,缠绵悱恻,适于表现悲愤咏叹的情感。而[花调]的旋律活泼跳跃,适于表现欢快喜悦感情。伴奏:柳腔的主要伴奏乐器是四胡和唢呐,用四胡给柳腔伴奏听起来格外悠扬婉转,唢呐是吹垛子用的。演唱:柳腔的演唱方法是真假声结合,特点是真声为主,假声为辅,发声时以演员自身的条件为基础,与当地方言的音韵调值相结合。柳腔的润腔风格古朴文雅、清丽委婉,典型的有:哭泣音和鼻哼音。表演:柳腔的演出淳朴自然、装束简单、形式单一。语言:柳腔的语言采用青岛地方方言,唱词和念白,具有口语化和大众化的特点。传授方式:柳腔采取的是一种口传心授的传授方式,是我国戏曲界非常典型的传播方式。唱词:柳腔的唱词讲究对称,要分上句和下句,不管大段唱词的句字有多少,都是偶数。剧目:柳腔的剧目内容广泛,涉及到生产生活的每个层面。现存有八十多个剧目,大多数剧目情趣健康,内容富于教育意义。第三章:对柳腔的现状及发展趋势做出客观的分析和总结,并针对柳腔面临的濒危现状提出合理性的改革措施和建议。事物的发展是外因和内因共同作用的结果,柳腔也是如此。市场经济条件下的柳腔艺术,要想生存就必须不断的丰富和改进,在固守传统的基础上也要放眼于未来。 随着社会的发展,人们的审美需求在不断提高,植根于乡土的柳腔艺术只有不断发展,才能与时俱进,重新走进人们的生活。
[Abstract]:The music culture as a type of human culture has many different forms, one of the China opera music culture is an important form. It plays as a member of the opera in the Kingdom, had a brilliant development, now with the rapid development of information technology and media, entertainment form of survival and development more and more market situation Liu Qiang, the development of this ancient folk art form has been hitherto unknown challenge, with the loss of audience, its development space more and more small, began to enter the endangered. This dissertation tries to make a comprehensive analysis of its research, and put forward some reasonable suggestions of protection and development, the purpose is through the mining of its consolidation, nationality in order to enrich the study of national music content, and to arouse people's attention to it, make it art not sink and disappear.
The article is divided into four parts. After investigation, post analysis is used to sort out, sort out and analyze the objects to be studied.
The introduction, including the reason of the topic, research status, research ideas and methods, the purpose and significance of several aspects. The first chapter of the study on the play were discussed. This chapter mainly traces the historical origin of its formation, the survival of the human environment and its cultural and artistic characteristics and value, the whole process from deep mining the study from folk songs to opera form, and analyzes its social value: in the last century before 70s and 80s is mainly the spiritual nourishment of the people of Jiaodong, to improve people's aesthetic taste, moral consciousness, plays an irreplaceable role in promoting learning and communication. The second chapter of its artistic characteristics do the analysis, detailed research, which is the focus of this paper. Singing: it belongs to the plate cavity, single cavity. The main opera singing a tune [] and [flower] and absorb other drama tragedy A tune evolved from the singing part three. The sad tune is its unique tone, the sad sad melody, full of pathos, for grief emotion. Aria and flower tune is lively, cheerful feelings. For the main accompaniment of musical instrument accompaniment: it is Sihu and suona. It sounds to use Sihu accompaniment suona is melodious, blowing those used. Its singing: singing method is combined with the characteristics of true sound, is really sound, falsetto voice to supplement, the actor's condition, and the local dialect phonological tone combination. Its runqiang style simple and elegant, and euphemism, typical: cry sound and nasal humming tone. Performance: it is simple and natural, simple attire, single form of language. Language: it uses the Qingdao local dialect, libretto and language features, colloquial and popular . teaching ways: it takes a way to teach oral teaching that inspires true understanding within our country, is the opera very typical modes of transmission. Its lyrics lyrics: symmetry, should be divided into sentences and sentence, no matter how many words of the lyrics, even its repertoire repertoire. Content: widely. Involves every aspect of life and production. There are more than 80 most interesting repertoire repertoire, health, educational content. The third chapter: the current situation and development trend of its making objective analysis and summary, and for its endangered status facing a reasonable reform measures and suggestions. The development of things is the common role of external and internal results, so is it. Under the condition of market economy, promoting the development of art, in order to survive must be constantly enriched and improved, in traditional basis should also look to the future.
With the development of society, people's aesthetic demand continues to increase, it is rooted in the local art only the continuous development can keep pace with the times, back into people's lives.

【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J825

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