韩世昌与京昆“二梅”的文化夙缘

发布时间：2018-01-18 13:14

本文关键词：韩世昌与京昆“二梅”的文化夙缘　出处：《艺术百家》2014年01期 　论文类型：期刊论文

【摘要】：韩世昌与昆曲大师吴梅、京剧大师梅兰芳的文化夙缘,亦师亦友,风云际会,这才使得韩世昌自己也崛起成为与梅兰芳齐名的昆曲表演大师。也正是这几位大师及其身后极为厚重的中国人文背景,才使得韩梅齐芳,蔚为大观。以韩世昌作为代表人物的北方昆曲,在很大意义上赓续和继承了京朝派昆曲的传统,这使得昆曲艺术成为在帝都历经劫难却仍然弦歌不绝的中国古老艺术范式。韩世昌和梅兰芳还在客观上刺激和支持了苏州昆曲传习所的建立,为中国昆曲的南北争艳开启了新的艺术布局。作为最早在东瀛和西土较为完整地演出与传播昆曲艺术的大家,他们共同把中国历史悠久、精美绝伦的昆曲艺术,直接推上了世界戏剧艺术精品展示的大舞台上。
[Abstract]:Han Shichang and Kun Opera master Wu Mei, Beijing opera master Mei Lanfang's cultural fate, but also teachers and friends, wind and clouds will. This makes Han Shichang himself rise to become the Kunqu opera performance master, as well as Mei Lanfang. It is these masters and their extremely thick Chinese language background that make Han Mei Qifang. The Northern Kunqu Opera, with Han Shichang as the representative character, has continued and inherited the tradition of the Beijing and Korean Kunqu Opera in a great sense. This makes Kunqu Opera art become the ancient art paradigm of China, which has survived the disaster but still sings in the imperial capital. Han Shichang and Mei Lanfang also objectively stimulate and support the establishment of Suzhou Kunqu Opera Biography Institute. As the earliest people who performed and spread the Kunqu art completely in Dongying and Xitu, they put together the splendid Kunqu art with a long history. Directly pushed onto the world theatrical art exhibition of the big stage.
【作者单位】：中国戏曲学院戏剧文学系;中国戏曲学院表演系;
【基金】：国家“211工程”三期“艺术学理论创新与应用研究”项目阶段性成果之一
【分类号】：J809.2
【正文快照】： 雁过留声,人过留名。在韩世昌(1897-1976年)的八十年人生历程中,名至实归地成长为一代昆曲艺术大师,成就为京朝派昆曲优伶中承前启后的大家名流。文化师承、人生交游与事业发展,是决定人是否可以成就大师,是否可以铸造伟业的重要维度之一。正是在与曲学大师吴梅、京剧大师梅兰

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