别开生面的两个舞台艺术形象——喜看历史京剧《春秋二胥》

发布时间：2018-01-18 14:23

本文关键词：别开生面的两个舞台艺术形象——喜看历史京剧《春秋二胥》　出处：《艺术评论》2014年09期 　论文类型：期刊论文

【摘要】：正2014年仲夏,上海京剧院又向观众奉献了一部由冯钢编剧、续正泰、白云明导演的新编历史京剧《春秋二胥》(以下简称《二胥》)。此剧在历史真实的基础上,向观众呈现了伍子胥、申包胥这两个令人耳目一新的舞台艺术形象,笔者观后深感欣喜。伍子胥这个人物,对京剧观众来说并不陌生,不仅《史记》中《伍子胥列传》有较详的记载,在传统的戏曲舞台上也有着丰富的艺术创造,仅京剧就有《乱楚官》《战樊城》《长亭会》《文昭关》《浣纱记》
[Abstract]:In the midsummer of 2014, the Shanghai Beijing Opera Academy also dedicated a screenplay by Feng Gang to the audience, continued Zhengtai. Baiyun Ming director's new historical Beijing opera "Spring and Autumn" (hereinafter referred to as "Erxu >"). This play on the basis of historical reality, presented to the audience Wu Zixu. Shen Baoxu these two refreshing stage art image, the author is deeply happy after watching. Wu Zixu, this character, to Beijing opera audience is no stranger, not only in the Book of History "Wu Zixu Biography" has more detailed records. There is also rich artistic creation on the traditional opera stage. In Peking Opera alone, there are "chaos Chu officials", "Battle Fan Cheng", "Changting Club", "Wen Zhaoguan", "Wun Sha Ji"
【作者单位】：中国曹禺研究学会;上海戏剧学院;
【分类号】：J805
【正文快照】： 2014年仲夏,上海京剧院又向观众奉献了一部由冯钢编剧、续正泰、白云明导演的新编历史京剧《春秋二胥》(以下简称《二胥》)。此剧在历史真实的基础上,向观众呈现了伍子胥、申包胥这两个令人耳目一新的舞台艺术形象,笔者观后深感欣喜。伍子胥这个人物,对京剧观众来说并不陌生,

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