中国民族歌剧声乐“美声化”趋势的研究与探索

发布时间：2018-01-29 18:18

本文关键词： 中国民族歌剧声乐美声化　出处：《湖南师范大学》2011年硕士论文　论文类型：学位论文

【摘要】：中国民族歌剧声乐,经历了王昆时代的“土嗓唱法”,郭兰英时代的“戏剧唱法”到彭丽媛时代的“中结合唱法”的演变,而今天,已融入西洋美声唱法的特色,这是时代的需要,作为中国戏剧艺术的一种新类别,中国民族歌剧是在不断扬弃的基础之上形成的,正因如此,中国民族歌剧具有特定的历史内涵、美学追求和艺术形式。本文围绕中国民族歌剧的声乐“美声化”趋势这一问题展开论述。全文共分三个部分：绪论部分、正文部分和结论部分。在绪论部分主要分析了选题的意义与研究前景、国内外研究状况、并简要论述了本课题的研究思路和研究构架及其研究方法。正文部分有分三个部分：首先论述了民族歌剧的产生及其声乐的演变。西洋歌剧是中国民族歌剧的典范、传统戏曲给新歌剧带来的机遇、现代话剧为中国民族歌剧补充了营养。土嗓唱法、戏曲唱法、中西结合唱法是我国民族歌剧声乐发展的基本轨迹。其次,本课题又论述了美声的演唱技巧和审美标准以及民族的演唱技巧和审美标准。民族声乐具有继承性与民族性,美声唱法与民族唱法两者之间的关系。最后笔者又分析了中国民族歌剧声乐走向世界趋势与途征。中国民族歌剧体现了故事情节民族化、人物形象民族化、艺术风格民族化、器乐艺术民族化、音乐创作民族化。在结论部分笔者简要总结了本课题的研究内容,并简要论述了发展中国民族歌剧的建议,其中吸收戏曲精华是民族歌剧发展的需要、符合中国普通观众的审美观是中国歌剧发展的必要条件、政府支持和媒体参与是中国歌剧发展的客观因素。
[Abstract]:The Chinese national opera vocal music has gone through the evolution of Wang Kun's "Tusang singing method", the "drama singing method" of the Guo Lanying era and the "Chinese combined singing method" of the Peng Liyuan era, and today. As a new category of Chinese dramatic art, Chinese national opera is formed on the basis of sublation. Chinese national opera has a specific historical connotation, aesthetic pursuit and artistic form. This paper discusses the trend of "beautiful" vocal music of Chinese national opera. The full text is divided into three parts: introduction. Text and conclusion. In the introduction part, it mainly analyzes the significance and research prospect of the topic, the research situation at home and abroad, and briefly discusses the research ideas, research framework and research methods of this topic. The text is divided into three parts: first, it discusses the emergence of national opera and the evolution of vocal music. Western opera is the model of Chinese national opera, and the opportunity of traditional opera to the new opera. Modern drama is the basic track of the development of Chinese national opera vocal music. This subject also discusses the singing techniques and aesthetic standards of the beautiful sound as well as the singing skills and aesthetic standards of the nation. National vocal music has inheritance and nationality. Finally, the author analyzes the trend of Chinese national opera vocal music towards the world and the journey. The Chinese national opera embodies the nationalization of the story plot and the nationalization of the characters. Nationalization of artistic style, nationalization of instrumental music and nationalization of music creation. In the conclusion part, the author briefly summarizes the research content of this topic, and briefly discusses the suggestions of developing Chinese national opera, in which absorbing the essence of opera is the need of the development of national opera. It is necessary for the development of Chinese opera to accord with the aesthetics of Chinese ordinary audience, and government support and media participation are the objective factors of the development of Chinese opera.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822

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