贝利尼歌剧《诺尔玛》的分析与演唱

发布时间：2018-01-30 06:11

本文关键词： 贝利尼歌剧《诺尔玛》创作特征演唱卡拉斯萨瑟兰格鲁贝诺娃　出处：《西安音乐学院》2010年硕士论文　论文类型：学位论文

【摘要】：贝利尼是19世纪上半叶最具有代表性、影响最大的歌剧作曲家之一,与同时期的罗西尼、多尼采蒂被称为十九世纪意大利歌剧三大巨头。贝利尼的创作包含歌剧、交响曲、双簧管协奏曲、弥撒曲等体裁,还包括声乐、器乐与宗教音乐以及不少古典声乐曲,他以歌剧的创作闻名于世。本文从宏观角度出发将女主人公诺尔玛放入整部歌剧,重温诺尔玛的爱情之路,感受诺尔玛内心复杂的情感变化,进而把握她的戏剧形象。通过对人物性格、音乐表现的处理来了解浪漫主义时期作曲家社会审美意识的差异。从微观上分析,《诺尔玛》主要围绕合唱、独唱、重唱这三种演唱形式,对各种演唱形式的理解和把握有助于我们更好地探索到贝利尼歌剧的精髓。
[Abstract]:In 19th century, Bellini was one of the most representative and influential opera composers in the first half of the year. Donizetti is known as the Italian opera of 19th century the three giants. Bellini's creation includes opera symphonies Oboe Concerto Mass and other genres including vocal music. Instrumental and religious music, as well as many classical music, he is famous for the creation of opera. From a macro perspective, this article puts Norma, the heroine, into the whole opera, reviewing Norma's love path, feeling the complex emotional changes in Norma's heart, and then grasping her dramatic image. From the microcosmic point of view, Norma mainly revolves around three singing forms: chorus, solo and duet. Understanding and grasping various singing forms will help us to explore the essence of Bellini opera.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

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