历史的再审视-1956年《琵琶记》大讨论研究

发布时间：2018-01-30 06:32

本文关键词： 《琵琶记》大讨论戏曲改革戏曲美学特点传统　出处：《中国艺术研究院》2012年硕士论文　论文类型：学位论文

【摘要】：重新评判传统,是整个20世纪的学术主潮。中国共产党领导的戏曲改革,实质也是对传统戏曲的重新评判,其最终目的是要“传统戏曲”走向“新社会”,而对产生在封建社会的传统剧目的评价,是其中的重要一环。《琵琶记》这样的古典名剧,在新社会当作何阐释,不仅涉及古典文学—戏剧的理论研究,也直接关乎舞台实践。“1956年《琵琶记》讨论会”是建国初期规模最大的学术会议,与会者对此剧的评判视角、所得观点相差甚大。这次大讨论是新中国的文艺工作者们,试图用马列主义文艺观点,对《琵琶记》之类古典名剧重新阐释的典型个案,亦是当时戏曲改革活动的一个侧影,构成了当代戏曲史上的一个重要现象。于今,戏曲改革活动已走过半个多世纪,笔者透过对这个在当代戏曲史上颇具特色的现象的分析,更加坚定地认为,回归传统戏曲的美学神韵,尊重其艺术特性,应是戏曲未来命运的一条康庄大道。
[Abstract]:Rejudging tradition is the main academic trend in 20th century. The reform of Chinese traditional opera led by the Communist Party of China is also a re-evaluation of traditional opera, whose ultimate purpose is to move "traditional opera" to "new society". The evaluation of the traditional plays produced in the feudal society is an important part of it. The classical plays such as Pipa are not only related to the theoretical research of classical literature and drama in the new society. It is also directly related to stage practice. "the Pipa on 1956" is the largest academic conference in the early days of the people's Republic of China. This great discussion is a typical case in which the writers and artists of the people's Republic of China tried to reinterpret classical plays such as the Pipa by using the Marxist-Leninist literary and artistic viewpoints. It was also a sideline of opera reform at that time, which constituted an important phenomenon in the history of contemporary opera. At present, opera reform activities have been more than half a century, the author through the analysis of this phenomenon in the history of contemporary drama, more firmly believe that the return to the aesthetic charm of traditional opera. Respect for its artistic characteristics, should be the future fate of opera a fine road.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J809.2

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