二人转艺术的审美特征

发布时间：2018-01-30 15:39

本文关键词： 二人转审美特征跳进跳出　出处：《沈阳师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：二人转是生长在东北这片广袤土地上，盛开不败的乡土艺术之花，是东北民间文化艺术的瑰宝。二人转在东北火得一塌糊涂，几乎人人都会哼唱几句二人转的小帽，更有“宁舍一顿饭，不舍二人转”、“万人围着二人转”的火爆现象，由此可见它在东北受欢迎的程度。二人转虽然火了，但是还是有一些对其严厉的批评，说二人转是“喧闹的杂耍”，更有人抨击二人转“低俗”、“黄色”、“下流”等。对一种艺术样式的不同看法应该说是正常的，但如此大相径庭的评价却是不多见的，所以这种奇特的现象立刻吸引了众多学者对其进行研究。在此，我循着前辈们的足迹，，对二人转艺术的审美特征进行了分析。本文从对二人转的审美特征的归纳、梳理为主线，并结合具体的剧目文本，揭示并整合其中蕴含着的文化精神，主要论述了以下几方面的内容：第一，在对其乡土之美的论述中，笔者通过对二人转使用东北方言、演出内容贴近观众生活、与观众“亲密”的互动等的研究，揭示了二人转异常火爆、深受欢迎的原因。第二，是对二人转表演形式的论述，笔者用灵活简约之美来概括，简约的组合——“二人”就能表演千军万马，靠的就是它灵活的表演形式，即演人物又不人物扮、像不像，做比成样以及跳进跳出的演绎形式，揭示出二人转区别于其他艺术的特质所在。第三，是用热烈风趣之美来揭示二人转的风格，并从文化研究的视角阐释了东北悠久的历史文化与二人转独特风格的形成之间的联系。第四，是对二人转音乐的研究，笔者从民族与地域特色中汲取需要的营养，从丰富多彩、生动质朴的二人转曲牌、唱腔等进行研究，并揭示了二人转音乐的审美特征。最后，本文从现今二人转的发展现状出发，分析了现今流行的二人转与传统意义上的二人转的差异，旨在揭示这种变化的原因，并对二人转的发展提出一些建议和倡导，希望对二人转的发展尽一点微薄之力。
[Abstract]:Errenhuan is the flower of native art which grows on the vast land of Northeast China and is the treasure of folk culture and art in Northeast China. The fire of Errenhuan in Northeast China is in a mess. Almost everyone can humming a couple of small hats, but also the "better to give a meal, not two people turn", "ten thousand people around the two people," the popular phenomenon. It can be seen that it is popular in the Northeast. Although Errenrou is on fire, there are still some severe criticisms of it, saying that it is a "noisy juggling", and that some people criticize Errenzhuan as "vulgar" and "yellow". Different views on an art style should be said to be normal, but such a widely different evaluation is rare. Therefore, this strange phenomenon immediately attracted many scholars to study it. Here, I followed the footsteps of the predecessors to analyze the aesthetic characteristics of Errenzhuan art. From the induction of the aesthetic characteristics of Errenzhuan, combing as the main line, and combined with the text of specific plays, reveals and integrates the cultural spirit contained therein, mainly discusses the following aspects of the content: first. In the discussion of the beauty of his native land, the author reveals the extraordinary popularity of Errenhuan through the study of the northeast dialect, the content of the performance close to the life of the audience, and the interaction of "intimate" with the audience. The second is the discussion of the performance form of Erren rotation. The author generalizes it with the beauty of flexibility and simplicity. The simple combination, "two people", can perform thousands of troops, relying on its flexible performance form. That is, acting characters and not personage, like, doing compare to sample and jump out of the deductive form, reveal the characteristics of the two people turn different from other art. Third, it is to use the warm fun beauty to reveal the style of the two people rotation. And from the perspective of cultural research, it explains the relationship between the long history and culture of Northeast China and the formation of the unique style of Errenhuan. 4th, it is a study of Errenhuan music. The author from the national and regional characteristics of the needs of the nutrition, from the colorful, vivid simple Errenqu, singing and other research, and revealed the aesthetic characteristics of Errenzhuan music. Finally. Based on the present situation of the development of the two-person rotation, this paper analyzes the difference between the popular two-person rotation and the traditional two-person rotation in order to reveal the reasons for this change. And put forward some suggestions and suggestions on the development of Errenhuan, hoping to contribute a little bit to the development of Errenhuan.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

【相似文献】