张厚载戏剧理论探索

发布时间：2018-02-13 05:28

本文关键词： 张厚载 “新旧剧论争” 戏曲美学京剧改良京剧评论　出处：《中国艺术研究院》2011年硕士论文　论文类型：学位论文

【摘要】：张厚载作为二十世纪初期杰出的戏曲理论家、京剧评论家,他的戏曲史论,京剧评论始终围绕着戏曲艺术的场上之道展开,尤其是他对“假象会意”、“自由时空”的精辟总结,在中国戏曲史上具有无可替代的学术地位和理论价值。近些年来,学界对张厚载的关注多集中于五四“新旧剧论争”时期,将其视为“旧剧保守派”的典型代表,显然已成为学者们的普遍共识。然而事实上,张厚载并非如主流文化所记载的那样,是一个彻头彻尾的保守主义者,他只不过是反复强调,戏曲艺术的创作、演出、改良需以它本身的美学原则为前提,谁要是破坏了这些旧剧的“真精神”,那一切改良都是虚妄和徒劳的。在评剧的过程中,张厚载十分注重理论和实践相结合,其剧评内容有的放矢,言必有中,具有相当高的史料价值和指导意义。本文结合前人的研究成果,以及近年来搜集到的第一手资料,尝试运用归纳、总结、比较研究的方法,对张厚载的京剧史论、戏曲美学思想、京剧评论进行深入的探索和思考,重点将放在“京剧改良”、“戏曲美学规律的分析与归纳”等若干学术问题的梳理上,希望通过思考论述,使某些存在争议性的问题有阶段性终结,并为继续挖掘张厚载的戏剧理论提供一个完整的研究框架。
[Abstract]:Zhang Houzai, as an outstanding opera theorist and critic of Beijing Opera in the beginning of 20th century, his theory of history of opera, and his commentary on Peking Opera always revolved around the field way of opera art, especially his brilliant summary of "false perception" and "Free time and Space". In recent years, scholars' attention to Zhang Houzai has focused on the period of the May 4th "debate between the New and the Old Drama", which is regarded as a typical representative of the "conservatives of the old drama", which has an irreplaceable academic status and theoretical value in the history of Chinese opera. Obviously, it has become a common understanding among scholars. However, in fact, Zhang Houzai is not a downright conservative as recorded in the mainstream culture. He just emphasizes repeatedly that the creation and performance of opera art. Improvement needs to be based on its own aesthetic principles. If anyone destroys the "true spirit" of these old dramas, all the improvements will be vain and vain. In the process of evaluating the drama, Zhang Houzai attached great importance to the combination of theory and practice. The content of its criticism is targeted, the words must have, has the high historical material value and the guidance significance. Based on the previous research results and the first-hand data collected in recent years, this paper tries to use the methods of induction, summary and comparative research to analyze Zhang Hou-zai 's historical theory of Peking Opera and aesthetic thoughts of opera. In order to make a thorough exploration and reflection on the Beijing Opera criticism, the emphasis will be placed on the combing of some academic issues, such as "Beijing Opera improvement", "Analysis and Induction of the Aesthetic Law of Opera", etc., in the hope of thinking and discussing. Some controversial problems are brought to an end, and a complete research framework is provided for the further exploration of Zhang Hou-zai 's drama theory.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J80

【参考文献】