从斯坦尼斯拉夫斯基表演体系的影子里走出来

发布时间：2018-02-19 19:00

  本文关键词： 斯坦尼斯拉夫斯基表演体系 技术探索 表演流派 戏剧美学　出处：《戏剧文学》2016年12期 　论文类型：期刊论文

【摘要】：斯坦尼斯拉夫斯基表演体系形(以下简称"体系")成于19世纪末至20世纪初的苏联。期间经历了俄国十月革命和民主革命政治时期。"体系"自传入我国便为演员创作提供理论依托,它整套系统、规范、科学的训练方法直至今日仍不失培养、训练演员的利器;但,时代在发展,人的思想观念在更迭,"体系"的技术格局也不可能一成不变。本文试从时代、社会发展的实际出发,结合戏剧美学的观点,以此来探讨摆脱体系"影子"的若干问题。
[Abstract]:Stanislavski performing system form (hereinafter referred to as the "system") in late nineteenth Century to early twentieth Century. The Soviet Union after the October revolution of Russia and the democratic revolution period. "The political system" was introduced into China for actor creation on the basis of the theory of its entire system, standardized, scientific training methods until today is still training weapon training, actor; but, in the development of the times, people's ideas change, "technology pattern system" is not possible. This paper from the immutable and frozen time, the reality of the social development of the combination of drama aesthetics, some problems in order to explore the system to get rid of "shadow".

【作者单位】： 吉林艺术学院戏剧影视学院;
【分类号】：J812
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本文编号：1517874