“抗战”时期各地抗敌戏剧运动管窥——以《文献》为窗口

发布时间：2018-02-17 08:24

本文关键词： 抗敌剧运《文献》孤岛剧运　出处：《戏剧(中央戏剧学院学报)》2015年02期 　论文类型：期刊论文

【摘要】："抗战"初期,爱国剧人统一战线,积极推动抗敌剧运。战时不同生态影响各地剧运特质。沪上孤岛,上海剧艺社弦外有音,隐晦表达民族意识,阶级话语夹杂其中。重庆、武汉、桂林等城市剧人云集,在政府支持下,演出活跃、表达直白。陕北边区延续群众路线,"剧运"主导大众化。国共参与下,文艺宣传各有用意。烽火初起,演剧走向街头、前线,业余、职业,新剧、旧戏,纷纷参与,剧作侧重宣传、说教,艺术尚有提升空间。《文献》主编阿英重视、参与抗敌剧运,借助该刊报道、点评,战时演剧活动略见一斑。
[Abstract]:"War" in the early, people play patriotic united front, and actively promote the Japanese drama. In different ecological impact around the drama character. Shanghai Island, Shanghai drama society with the tongue in the cheek, vague expression of national consciousness, class discourse with them. Chongqing, Wuhan, Guilin City Opera was set in support of the government, to perform active expression the continuation of the mass line in Northern Shaanxi. Frank, "the drama" the leading mass. The presence of the flames of art propaganda intention. The beginning of drama to the streets, front, amateur, occupation, drama, drama, drama have been involved in the focus on propaganda, preaching, art is still room for improvement. The editor > Ingrid attention the enemy, in the drama, with the journal reports, reviews, and this wartime drama activities.

【作者单位】：江苏社科院文学所;
【分类号】：J809.2

【相似文献】