内蒙古土默特右旗二人台历史与现状调查研究

发布时间：2018-02-17 08:14

本文关键词： 土默特右旗二人台文化交流发展阶段生存样态　出处：《新疆师范大学》2011年硕士论文　论文类型：学位论文

【摘要】：二人台是集民歌、器乐、戏曲、曲艺、舞蹈等各种艺术形式为一体的综合性民间艺术。其流传地主要是内蒙古中西部、晋北、陕北、冀北、宁北等地区。对当地人民的社会生活有着重要的影响。二人台这一艺术品种具有明显的蒙汉两个民族的音乐文化特征,而这是清末明初开始的大规模人口移民运动——走西口所促成的蒙汉文化交融的结果。土默特右旗所具备的地理及历史条件使该地逐渐形成了一个山西、陕西移民与当地蒙古族原著民杂居的社会生活环境,这片土地同时也成为了二人台形成与发展的重要平台。今天的二人台在土右旗仍然十分兴盛,并且主要体现为三种生存样态:盈利型民间戏班、自娱自乐的文化大院、从属于国家政府的专业演出团体,这体现着二人台在不断发展变化的社会政治经济中适时作出自我调整以求生存的特点。论文主要分为以下四个部分: 第一部分为绪论部分,在此部分提出了本文的研究缘起、研究方法及意义。并对二人台已有的研究文献成果进行了较为详细的综述。第二部分:论文从土默特右旗二人台生存的地理与文化背景入手,并以走西口为主要线索,对土默特右旗二人台的形成原因与生存“土壤”进行了分析。第三部分:将土默特右旗二人台的形成与发展分为四个阶段进行了梳理及研究,并明确了不同阶段所具有的不同艺术特征。第四部分:运用民族音乐学的方法对当今二人台在土默特右旗的所体现出来的三种样态进行了田野调查后的梳理。主要选取了萨拉齐福星青年歌剧团、大东村张文元文化大院、土默特右旗乌兰牧骑·二人台艺术团作为现状研究的切入点,对这三种当地二人台的生存平台从成员构成、运作机制、演出的形式及内容、社会效果等方面进行了详细分析。论文力图通过这种将二人台艺术置于其生存文化背景去审视的研究方法,探求二人台这一民间艺术形成及发展的规律,并能为保护和发展这一民间艺术形式提供理论依据和参考。
[Abstract]:Errentai is a comprehensive folk art that integrates folk songs, instrumental music, opera, quyi, dance and other artistic forms. The main places of its spread are central and western Inner Mongolia, northern Shanxi, northern Shaanxi and northern Hebei. In the north of Ningxia and other areas, it has an important influence on the social life of the local people. The art of Errentai has the distinct musical and cultural characteristics of the Mongolian and Han nationalities. This was the result of the mixing of Mongolian and Han cultures promoted by the large-scale migration movement, which began in late Qing and early Ming dynasties. The geographical and historical conditions of Tumert's right Banner gradually formed a social and living environment in which immigrants from Shanxi, Shaanxi and the native Mongol people lived together. This land has also become an important platform for the formation and development of the two-person stage. Today, the two-person platform is still very prosperous in the Tuyou Banner, and is mainly embodied in three forms of survival: the profit-making folk opera troupe, the cultural compound for self-entertainment. The professional performance group subordinate to the national government embodies the characteristics of two-person station making self-adjustment to survive in the constantly changing social political economy. The thesis is divided into four parts as follows:. The first part is the introduction part, in which the origin, research methods and significance of this paper are put forward, and the research results of Errentai are summarized in detail. The second part: starting from the geographical and cultural background of Tumert's right Banner, and taking the Xikou as the main clue, the paper analyzes the formation reason and the survival "soil" of Tumert's right Banner. The third part: the formation and development of Tumert's right Banner are divided into four stages to sort out and study, and to clarify the different artistic characteristics of different stages. Part 4th: by means of ethomusicology, the author makes a field survey of the three forms embodied in Tumert's right Banner by using the method of ethomusicology, and mainly selects Saraziphus Youth Opera Company. Zhang Wenyuan Cultural Courtyard of Dadong Village, Tumert right Banner Wu Lan Muqi 路two-person Taiwan Art Troupe, as the breakthrough point of current research, from the members, the operating mechanism, the form and content of the performance, to the survival platform of these three local two-person platforms. The social effect is analyzed in detail. This paper tries to explore the formation and development of the folk art through this research method, which puts the art of Errentai in the background of its survival culture, and explores the law of the formation and development of the folk art of Errentai. And for the protection and development of this form of folk art to provide theoretical basis and reference.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825

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