话剧百年与“中国学派”演剧体系的探索发展

发布时间：2018-02-22 10:38

本文关键词： 话剧百年中国学派焦菊隐演剧体系　出处：《当代戏剧》2017年04期 　论文类型：期刊论文

【摘要】：话剧的百年发展伴随着几代戏剧人对民族化演剧体系的探索。新中国成立初期,焦菊隐提出建构话剧"中国学派"的艺术理想,即将东方戏曲美学与西方戏剧的表现方法相结合的演剧原则。这一原则意味着民族化的道路也是现代化的过程,它既总结了之前话剧发展的经验,更总领性预见了之后发展的方向。新时期后,当代戏剧家继承了对话剧"中国学派"理想的探索,他们以传统文化为根基,吸收戏曲表现的自由、时空的无限和表演的自由等特点,同时在剧本观念、舞台空间等方面表现出现代性品格,使话剧"中国学派"进一步发展完善,构建了中国当代话剧的可喜景观。
[Abstract]:The century-old development of modern drama has been accompanied by the exploration of the nationalized drama system by several generations of dramas. At the beginning of the founding of New China, Jiao Juyin put forward the artistic ideal of constructing the "Chinese school" of modern drama. The principle of drama, which combines oriental opera aesthetics with the methods of expression of western drama. This principle means that the road to nationalization is also a process of modernization, which not only sums up the experience of the previous development of modern drama, After the new period, contemporary dramatists inherited the exploration of the ideal of the "Chinese School" of the modern drama. They took the traditional culture as the foundation and absorbed the freedom of the performance of the opera. The infinite space and time and the freedom of performance, meanwhile, show the modernity character in the aspects of script concept and stage space, make the drama "Chinese School" further develop and perfect, and construct the gratifying landscape of Chinese contemporary drama.
【作者单位】：辽宁大学;
【基金】：作者在辽宁大学文学院博士后工作站课题“‘残酷戏剧’在中国的接受研究”成果中国博士后科学基金资助,博士后编号:165601 辽宁省教育厅一般课题“东北地方戏曲美学研究”(WYB201602)成果
【分类号】：J824

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