对“昆剧史”写作模式的省思——重读陆萼庭先生《昆剧演出史稿》

发布时间：2018-02-27 09:04

  本文关键词： 《昆剧演出史稿》 剧种 文人 艺人 雅俗共赏　出处：《戏剧艺术》2017年04期 　论文类型：期刊论文

【摘要】：《昆剧演出史稿》作为第一部完整的"昆剧史"著作,自出版以来产生了重大的学术影响。"昆剧"可以看作民族戏剧中较高层次的代表,活动主体始终是文人士大夫阶层,一向以典雅精致作为最高境界。而该书秉持"剧种"的观念,推重艺人的贡献,强调雅俗共赏,可能并不符合历史上中国传统戏剧的真实生态;漠视文人士大夫在较高层次的民族戏剧文化中的推动作用,有可能导致"昆剧"丧失自身的文化品格。因此有必要重新省思这样的"昆剧史"写作模式。
[Abstract]:< > the history of Kunqu performance as the first complete "Kunqu Opera History" works, since the publication of the major scientific impact. "Kunju" can be seen as representing the high level national drama, is always the main activities of the literati class, has always been elegant as the highest realm. The book adheres to the "opera" the concept, respect the contribution of artists, emphasizing the tastes, may not accord with the real ecological Chinese traditional drama history; ignoring the role of literati in the high level of national drama culture, it may lead to "Kun Opera" lost its own cultural character. So it is necessary to rethink the "history of Kunqu Opera" writing model.

【作者单位】： 兰州大学文学院;
【分类号】：J82-5
，

本文编号：1542019