松阳高腔的历史流变与本体形态研究

发布时间：2018-02-27 09:08

本文关键词： 松阳高腔历史流变艺术特征传承发展　出处：《浙江师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：联合国教科文组织于2003年10月17日通过的《保护非物质文化遗产公约》掀起了当今世界非物质文化遗产保护的热潮,我国也已自2011年6月1日始实施《非物质文化遗产保护法》,于是挖掘和探究遗落于全国各地留存至今的各类非物质文化遗产的历史痕迹及其价值意义也便成了广受关注的文化建设工作。源于浙西南松阳县的松阳高腔,以其悠久的历史,口传身授的传承模式,极富地方特色的表演形态彰显着它独特的艺术魅力,但传承人的老化断层和其当下发展的现实困难无疑将其推向了非物质文化遗产重点保护对象的行列之中。本文选取松阳高腔作为研究对象的又一原因是它自形成发展以来从未与其他剧种班社搭班演出,一直坚持进行单声腔表演,因此松阳高腔也成了浙江各高腔剧种中的一种独特的存在。翻阅目前的相关研究成果,发现尚存以下两个问题：一是对松阳高腔的历史起源问题仍然存在不同观点：有学者认为松阳高腔就是明清高腔在松阳地区的“改调歌之”,也有学者认为松阳高腔应是永嘉南戏在现当代的遗存。究竟哪种观点更加符合松阳高腔的历史发展便成了本文的研究所需要解答的一个重要问题；二是在各类研究成果中,对松阳高腔的生成环境、艺术本体形态、艺术特征以及价值意义等方面的探究虽有涉及,但多是以一笔带过,亦或是仅侧重其中一个内容进行阐述,并不全面,因此对松阻高腔的生成环境、艺术本体、艺术特征以及传承意义和保护举措展开全面分析和阐释形成了本文的重要内容。本文主要分为四章展开论述,第一章为自然生态与文化景观,主要从宏观角度出发探讨松阳高腔之所以生成的地理、气候、地质等方面的条件,只有把握了松阳整体的自然人文发展的脉络,方能更加准确的从微观角度探讨松阳高腔艺术文化的源起问题；第二章为起源依据与流变轨迹,主要结合目前关于松阳高腔源起问题出现的争议,结合史料文献的记载、当地艺人口述的记录以及当下研究者的记述进行辨析和判断,认为松阳高腔虽于20世纪50年代方有如今之剧种名,但其形成与发展与被誉为戏曲之祖的永嘉南戏有着千丝万缕的联系,应是南戏在松阳地区的繁衍进化；第三章为本体研究与艺术特征,本章从戏剧表演的本体形态出发,结合松阳高腔的实际田野调查,对松阳高腔的曲牌唱腔、调式调性、曲式结构、乐队伴奏、角色化妆、道具布景以及传承剧本七个方面分别进行了分析和阐释,在此基础之上对其音乐特征、表演特征和区域特征和审美特征进行了归纳概括；第四章为传承意义与保护举措,本章主要分两个部分进行论述：第一部分是结合当前经济社会以及教育发展的实际状况,分别从传承性、创新性和发展性三方面总结之所以应该对松阳高腔加以传承与保护的价值所在；第二部分是从政府导向、社会认同、传承人保护和继承人培养四个方向,提出有助于加强松阳高腔的保护传承的意见与建议。
[Abstract]:The protection of UNESCO in October 17, 2003 through the "intangible cultural heritage" launched the world intangible cultural heritage protection of the boom, China has since the beginning of June 1, 2011 the implementation of the intangible cultural heritage protection law >, so all kinds of mining and exploration history lost in all over the country has retained the intangible culture heritage and its value has also become popular culture. In Songyang County, southwest of Zhejiang Songyang of China, with its long history, the firsthand inheritance pattern, very local characteristics of performance form showing its unique artistic charm, but the practical difficulties of fault and its inheritance aging people the current development undoubtedly has pushed it to focus on the protection of intangible cultural heritage in the ranks. This paper selects Songyang Gaoqian as another reason for the study is that it forms. The exhibition has never been with other social classes all opera performances, has always insisted on a single tune performance, the Songyang pitched has become a unique presence in Zhejiang each pitched operas.
Read the current research, found has the following two questions: one is still there are different opinions about the origins of the history of Songyang Gaoqiang: some scholars believe that Songyang is high pitched in the Songyang region in Ming and Qing Dynasties "to the tune of the song, some scholars believe that Songyang Gaoqian should be Yongjia Nanxi in contemporary what remains. Which view is more in line with the historical development of Songyang has become an important issue in this paper to answer; two in all kinds of research, build environment of Songyang pitched the ontology of art form, explore the artistic features and significance of the although involved, but mostly with a band also, or focus only on the one described is not comprehensive, so the generation environment, Songyang pitched the artistic essence, artistic characteristics and heritage significance and protection initiatives to conduct comprehensive division Analysis and interpretation have formed the important content of this article.
This paper is divided into four chapters, the first chapter is the natural environment and cultural landscape, mainly from the macro point of view to explore the reason why Songyang pitched the geography, climate, geological conditions, only to grasp the overall development of Songyang's natural and cultural context, more accurately from the micro perspective of the origin of Songyang art and culture of China the second chapter is on the basis of energy; the origin and evolvement, mainly based on the Songyang pitched source dispute at present, combined with historical records, record and current research of local artists oral account to discriminate and judge, think Songyang Gaoqian although in 1950s has now operas name, but the formation and the development and known as the ancestor of the Nanxi opera of Yongjia are inextricably linked, is Nanxi evolution in Songyang area; the third chapter is the main body Research and artistic characteristics, this chapter from the form of theatrical performances, with the Songyang pitched the actual fieldwork on the Songyang pitched tunes singing, tonality, musical structure, band accompaniment, character makeup, props, seven sets and heritage script are respectively analyzed and explained on the basis of the music the characteristics, performance characteristics and regional characteristics and aesthetic characteristics of the summary; the fourth chapter is the significance of inheritance and protection measures, this chapter is divided into two parts: the first part is combined with the actual situation of the current economic and social development and education, respectively from the three aspects of inheritance, innovation and development should be the summary the inheritance and protection of Songyang Gaoqian's value; the second part is from the government guidance, social identity, heritage protection and inheritance culture four aspects, put forward to help Strengthen the opinions and suggestions of the protection and inheritance of Songyang Gaoqian.

【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

【参考文献】