戏班研究的戏曲社会学考察——兼谈戏曲社会学阐释体系之建构

发布时间：2018-02-28 00:42

  本文关键词： 戏班 戏曲社会学 阐释体系　出处：《求索》2017年06期 　论文类型：期刊论文

【摘要】：传统的戏曲学阐释体系存在着"自我中心主义""唯美""唯善"之倾向,优点是对文学艺术之美和价值论述充分,缺陷是不能够体现出戏曲研究的社会文化史意义。选择戏班为观察对象,从其研究现状出发,与社会学的学术思想、理论、方法相结合,对新的中国戏曲学阐释体系进行了探索。对戏曲学学术思想中占主导地位的"自我中心主义"、唯美论和唯善论进行解构,对求"真"求"实"的实证主义的学术思想进行建构;对戏曲学学术理论中一定程度上存在的"孤立""单维"的倾向进行解构,对"整体""系统"的学术理论进行建构;对戏曲学的研究内容序列"类型"→"类别"→"系统",运用社会学类型比较、典型分析和系统分析的研究方法进行建构,以期能够实现"戏曲→社会→文化→民族国家"之戏曲社会文化史研究目的。
[Abstract]:The traditional system of drama interpretation has the tendency of "self-centeredness", "beauty" and "goodness only", which has the advantage of fully discussing the beauty and value of literature and art. The defect is that it can not reflect the significance of social and cultural history of drama research. Select the opera troupe as the observation object, proceed from its research present situation, and combine with the academic thought, theory and method of sociology, This paper probes into the new system of interpretation of Chinese opera, deconstructs the dominant academic thought of drama, such as "egocentrism", "aestheticism" and "goodness theory", and constructs the positivist academic thought of seeking truth and reality. This paper deconstructs the tendency of "isolation" and "single dimension" existing in the academic theory of opera to some extent, constructs the academic theory of "whole" and "system", and sets up the "type" of the content sequence of the study of opera. 鈫扖ategory. 鈫，

本文编号：1545020