当今舞美设计中视觉元素“形似”与“神似”的价值考量

发布时间：2018-02-28 01:30

本文关键词： 视觉元素形似神似形神兼备戏剧空间价值考量　出处：《戏剧艺术》2015年03期 　论文类型：期刊论文

【摘要】：舞美设计中视觉元素"形似"与"神似"的观念,是针对当今戏剧逐步走向市场化、商品化所引发的一系列现象而提出的。当观众面临更多选择,而舞美技术发展又让观众享受更多的视觉艺术时,需要厘清并把握两者的关系,避免设计游离于内容。只有"形神兼备"才是立意的根本,这意味着舞美设计要符合舞台美术的特质属性与功能需求,要与剧目情节相配合并与演出内容相贴切。舞美设计中视觉元素的"形神兼备",不同于一般的绘画和环境设计艺术。它既要提供舞台表演的完美空间性,符合戏剧的规定性,又要存适于戏剧演出的诸因素关系链中。其真谛在于使视觉形象与戏剧演出的内在规律、逻辑相吻合,而不是以求"神似"为借口,用浮夸、奢华的多媒体和拼贴技术来标榜创新。戏剧功能的不断变化要求舞美设计师在迎接复杂的美学思潮与哲学观念的挑战中,不失本体思考。
[Abstract]:The concept of visual element "likeness" and "god resemblance" in the design of dance beauty is put forward in view of a series of phenomena caused by the gradual marketization and commercialization of today's drama. While the development of dance technology enables the audience to enjoy more visual arts, it is necessary to clarify and grasp the relationship between the two so as to avoid the design being dissociated from the content. Only "both form and spirit" is the fundamental idea. This means that the design of dance beauty should conform to the idiosyncratic attributes and functional requirements of stage art. The visual elements of dance design are different from the general art of painting and environment design. It must provide the perfect space of stage performance and accord with the regulation of drama. The true meaning of the chain of factors suitable for theatrical performance is to make the visual image coincide with the inherent law and logic of the theatrical performance, instead of using the "god resemblance" as an excuse to use grandiosity as a pretext, the true meaning of which is to make the visual image consistent with the internal law of the dramatic performance. Extravagant multimedia and collage technology to promote innovation. The constant change of drama function requires dance designers to meet the challenges of complex aesthetic trends and philosophical ideas without losing their ontological thinking.
【作者单位】：上海戏剧学院舞台美术系;上海工程技术大学服装学院;
【分类号】：J813

【共引文献】