根德尔哇扬在巴厘皮影戏中的音乐形态及社会功能

发布时间：2018-03-01 00:22

本文关键词： 巴厘皮影戏根德尔哇扬音乐形态社会功能　出处：《中央音乐学院》2011年硕士论文　论文类型：学位论文

【摘要】：根德尔哇扬四重奏是巴厘最耀眼的一种小型乐队,四件根德尔乐器却具有可媲美多种乐器组合而成的甘美兰乐队的表现力,它主要为巴厘皮影戏伴奏,以乐队成员间默契配合下令人炫目的演奏技巧誉满世界。本文意图揭示巴厘皮影戏中达郎、皮影人、乐师之间,声乐与器乐之间,人物、情节、场景与音乐语汇各个要素间的内在逻辑关系。这些内在秩序实际是与巴厘人独特的意识形态世界以及特殊的“尼加拉剧场式”社会组织结构关系相一致的。集体性、组织性、单位化使得巴厘皮影戏音乐在灵活的戏剧变化冲突下实际有着严谨的程式运行模式,它们是指根德尔哇扬音乐中的旋律形态、演奏技巧,多重层次的节奏节拍、速度力度、音色音域、曲式结构等基本音乐元素组合搭配出各式音乐语汇,达到声情并茂表演皮影戏的目的。然而,巴厘的皮影戏剧不同于西方戏剧或歌剧那样具有专用性的音乐描绘语言,巴厘戏剧是一种以共用音乐材料为基础随机性的音乐发展方式,象征性的指代那些类型化的雅俗角色、悲喜情感、静动场合。因此,本文将皮影戏全剧格局划分为固定场景和变化场景,通过解构分析各类场景中用以塑造戏剧内部各元素的音乐语言的“语法”规律,来说明为皮影戏伴奏的根德尔哇扬音乐是一种外在自由灵活,内有逻辑法则的音乐艺术。此外皮影戏中具有不同戏剧功能的根德尔哇扬乐曲,其功能原则与为巴厘各类宗教仪式伴奏的根德尔哇扬乐曲的使用原则是一致的。
[Abstract]:The Gunderwayan Quartet is one of Bali's most dazzling small bands, but the four Gendel instruments have the power to match the gamelan band composed of a variety of musical instruments, mainly accompanied by Balinese shadow plays. This article aims to reveal the characters and plot of the Balinese shadow play, between the dahlang, the shadow person, the musician, the vocal music and the instrumental music. The internal logical relationship between the scene and the elements of the musical vocabulary. These internal orders are actually consistent with the unique ideological world of the Balinese and the special "Niagara theater" social organizational structure. The unitization makes Bali shadow play music actually have a rigorous program operation mode under the flexible dramatic change conflict. They refer to the melodic form, playing skills, multi-level rhythm, and speed in Genderwayan music. The combination of basic musical elements, such as timbre range, musical structure and so on, matches all kinds of musical words to achieve the purpose of performing shadow play with both voice and emotion. However, Balinese shadow dramas are different from Western plays or operas in their special-purpose musical description language. Bali drama is a random musical development based on common musical materials, symbolically referring to those types of elegant and vulgar characters. Therefore, the whole play pattern of shadow play is divided into fixed scenes and changing scenes. By deconstructing and analyzing the "grammar" of musical language used to shape the elements of drama, To illustrate that the Genderwayan music accompanied by shadow plays is a kind of music art with external freedom and flexibility and logic. In addition, in shadow plays, there are different theatrical functions of Genderwayan music. Its functional principles are consistent with the use of Genderwoyan music, which accompanies various religious ceremonies in Bali.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J827

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