新媒体环境下的越剧传播现状与设想

发布时间：2018-03-04 00:00

本文选题：新媒体环境　切入点：传播现状　出处：《戏剧文学》2014年06期 　论文类型：期刊论文

【摘要】：正越剧诞生于浙江嵊县,最初只是一种民间说唱。1917年当时还被称为"小歌班"的越剧第一次来到上海演出,虽然以失败告终,但从此与上海结下了不解之缘。上世纪40年代,随着"孤岛时期"众多女班的蜂拥入沪,越剧在上海进行了一系列改革,逐渐崭露头角,甚至一举超越京剧,成为上海市民最喜爱的剧种。在这一过程中,女子越剧对当时上海都市媒介环境的主动适应和积极融入,曾经起到过很大的推动和促进作用。民国时期上海是全国的出版中心。三、四十年代仅上海出版的越
[Abstract]:Zheng Yue Opera was born in Shengxian County, Zhejiang Province. It was originally just a folk rap. In 1917, it was also known as "Little Song Class" when it first came to Shanghai to perform. Although it ended in failure, it became inseparable from Shanghai. In -60s, With the influx of many female classes into Shanghai during the "isolated Island period," the Vietnamese Opera has made a series of reforms in Shanghai, gradually emerging and even surpassing Peking Opera at once to become the favorite kind of drama among the people of Shanghai. The active adaptation and active integration of women's Yue opera to shanghai's urban media environment at that time had played a very important role in promoting and promoting it. During the period of the republic of china, shanghai was the publishing center of the whole country. Third, in 40s, shanghai only published in shanghai
【作者单位】：上海大学影视学院;
【基金】：上海市教育委员会科研创新项目“传统文化资源的传承与文化认同的促进:新媒体环境下的戏曲传播”(项目编号:09YS74)阶段性成果之一
【分类号】：J825

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