关于歌仔戏服饰的综合探究

发布时间：2018-03-08 20:46

本文选题：歌仔戏服饰　切入点：兼容性　出处：《福建师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：面对科技瞬息万变、娱乐媒体层出不穷的时代,一种极具地域文化特色的戏曲——“歌仔戏”,在这种夹缝间顽强生存。伴随歌仔戏艰辛历程的歌仔戏服饰,其兼容性格是影响歌仔戏艺术发展的内因之一,然而歌仔戏服饰的审美文化始终没有被人们所关注。为此,本文尝试通过歌仔戏的历史时空,深入探究其“兼容性”现象的根源,并总结历史经验,以促成歌仔戏服饰的创新,这也是当前歌仔戏生存和发展的关键部分。本文以歌仔戏服饰发展变革的时空作线索,全面地梳理歌仔戏服饰百年变革历程；结合田野调查、歌仔戏文献及多方收集的图片等资料,突破以往将歌仔戏行当或角色装扮混杂在歌仔戏史料中陈述的方式,具体地归纳、论述歌仔戏角色行当的服饰形貌；从中窥见,歌仔戏服饰不论是变革历程,还是当前的服饰形制,始终摆脱不了移植性的借鉴手段,并对这种“兼容性”进行综合性的思考与探索。认为：歌仔戏服饰“兼容性”的特点与地域文化和时代背景是紧密联系的；提出了“地域文化”的参与是歌仔戏服饰设计的必然趋势以及研究歌仔戏的服饰历程、形制与根源的最终目的是,为当前歌仔戏服饰设计找到实用性价值,并希望能对歌仔戏服饰的创新设计提供点滴参考。
[Abstract]:In the face of the rapid changes in science and technology and the emergence of an endless stream of entertainment media, a kind of opera with regional cultural characteristics-"Gaozi Opera", exists tenaciously in the midst of this kind of gap, and accompanied by the difficult course of the opera, the costumes of the opera. Its compatible character is one of the internal factors that influence the artistic development of the opera. However, the aesthetic culture of the costume of the opera has not been paid attention to. Therefore, this paper attempts to pass through the historical time and space of the opera. It is also the key part of the survival and development of the present opera to probe into the root of its "compatibility" phenomenon and sum up its historical experience in order to promote the innovation of the costume of the opera. Based on the clue of the time and space of the development and transformation of the costume of the opera, this paper comprehensively combs the century-old reform course of the costume of the opera, and combines the field investigation, the literature of the opera and the pictures collected by many parties, and so on. Breaking through the way in which the opera business or role dressing up in the past was mixed up in the historical materials of the opera, the article concretely summarized and discussed the dress appearance of the opera character, from which we can see that the costume of the opera is no matter how it is changed. Or is the current dress form, always unable to get rid of the transplantable means of reference, The author thinks that the characteristics of "compatibility" of opera costumes are closely related to the regional culture and the background of the times; This paper puts forward that the participation of "regional culture" is the inevitable trend of costume design of the opera and the course of studying the costume of the opera. The ultimate purpose of the form and root is to find the practical value for the current costume design of the opera. And I hope to provide little reference to the innovative design of opera costume.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

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