西迁背景下的锡伯族戏曲“汗都春”研究

发布时间：2018-03-09 13:01

  本文选题：锡伯族　切入点：西迁　出处：《中央音乐学院》2010年博士论文　论文类型：学位论文

【摘要】： 本论文是对新疆伊犁察布查尔县的锡伯族群民间戏曲艺术汗都春所进行的专题研究。论文的写作是在充分了解和掌握已有研究成果和资料的基础上,通过本人较为深入的田野工作,对汗都春艺术及相关文化背景进行了全面的考察和采录基础上完成的。论文从历史学、音乐学、戏剧戏曲学、文化人类学、语言学、民俗学等角度,力求对汗都春作出历史的梳理、艺术的分析和文化的解释。 论文的基本框架和内容是：锡伯民族的历史、文化及民俗概说；汗都春的历史与现状梳理；平调与越调艺术特征研究；汗都春与新疆小曲子的对比分析；对汗都春现象的文化解释；有关锡伯族群传统文化的传承性保护建议。 论文所呈现的创造性成果和新的学术见解主要包括：对汗都春的来源及各种称谓作了较为清晰的描述,首次找出汗都春(handucun)一词的源头并对其涵义作出注解：通过实证,明确了汗都春之平调声腔源于我国西北地区移居新疆的汉、回艺人传入的曲艺和戏曲艺术,纠正了同时存在的平调“源于东北”之观点；较为详尽地描述了锡伯族群各个社区汗都春(平调和越调)传承的历史与现状,采录到了现有的曲牌和部分剧目,收集到了不少珍贵的历史音响和60余部剧本；首次将汗都春与同源剧种新疆小曲子作了全面比较,强调了汗都春作为新疆曲子剧的一个具有独立意义的分支的基本标志和特殊的历史与文化意义；笔者根据所获历史音响及本人所采访的录音,为汗都春90个曲牌中的84个作了重新记谱,自认为是比较客观和准确的；在论文的重点研究部分即第五章“汗都春现象的文化解释”中,通过对锡伯族历史上在与蒙古族、满族、俄罗斯民族、汉族等强势民族以及维吾尔族、哈萨克族等周边民族的文化碰撞中所持有的多重文化认同,以及西迁新疆后所体现出的强烈的族群意识和文化自觉的观察和剖析,指出了汗都春现象背后的文化机理所在,即锡伯族群所具有的“兼容并蓄、不失本我”的文化品格。用锡伯族群这一族性特征来解释汗都春现象的产生,应该是本文所努力作出的学术探索并可望从中提出新的见解。
[Abstract]:This thesis is a special research on the folk opera art of Xibo nationality in Chabuchar County, Xinjiang. The writing of the thesis is based on the full understanding and mastery of the existing research results and materials. Based on the comprehensive investigation and recording of the art and related cultural background of Khan du Chun, the thesis is based on history, musicology, drama and drama, cultural anthropology, linguistics, etc. Folklore and other angles, trying to make a historical combing of Khan Duchun, artistic analysis and cultural interpretation. The basic frame and content of this paper are as follows: the history, culture and folklore of Sibo nationality, the history and present situation of Handu Spring, the study of artistic characteristics of flat and Yue tune, the comparative analysis of Handu Spring and Xinjiang small tune; Cultural explanation of Handuchun phenomenon; suggestions on heritage protection of Xibo traditional culture. The creative achievements and new academic insights presented in the paper mainly include: a clear description of the origin and various appellations of Khan du Chun, the first time to find the source of the word "Khan du Chun ducun" and to annotate its meaning: through empirical analysis, It is clear that the flat tone of Han du Spring originated from the Han Dynasty which moved to Xinjiang in Northwest China, the folk art and opera art introduced by the artists, and corrected the view that the flat tone "originated from the Northeast" existed at the same time. This paper describes in detail the history and present situation of the inheritance of Han du Chun (Pingyao and Yue Diao) in various communities of Xibo nationality, records the existing music and some plays, and collects a lot of precious historical acoustics and more than 60 plays; For the first time, the author makes a comprehensive comparison between the Han du Spring and the Xinjiang small tunes of the homologous drama, and emphasizes the basic symbol and special historical and cultural significance of the Handu Spring as an independent branch of the Xinjiang tunes. According to the historical audio recording and the recording I interviewed, the author rewrote 84 of the 90 musical cards of Khan du Chun and considered himself to be more objective and accurate. In the key research part of the thesis, which is 5th chapter "the cultural explanation of the phenomenon of Khan du Chun", through the history of Xibo and Mongolian, Manchu, Russian, Han and other powerful ethnic groups, as well as Uygur, and Uygur, The multi-cultural identity held by the Kazakh and other surrounding ethnic groups in the cultural collision, as well as the strong ethnic consciousness and cultural consciousness reflected by the westward migration to Xinjiang, point out the cultural mechanism behind the phenomenon of Khan du Chun. That is, the Xiebo ethnic group has the cultural character of "all-embracing, without losing its own ego". To explain the emergence of the phenomenon of Khan du Chun by using the characteristic of Xibo ethnic group should be the academic exploration that this paper tries to make and hope to put forward new ideas from it.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J825

【引证文献】

中国硕士学位论文全文数据库 前1条

1 杨雪;新疆锡伯族贝伦舞音乐文化调查研究[D];新疆师范大学;2012年

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本文编号：1588643