晚清岭南官场演剧及禁戏——以《杜凤治日记》为中心

发布时间：2018-03-12 09:10

  本文选题：岭南戏曲　切入点：官场演剧　出处：《中山大学学报(社会科学版)》2017年01期 　论文类型：期刊论文

【摘要】：岭南远离中国的文化中心,清中叶以后岭南戏曲才迎来发展的高峰。同治、光绪年间,浙江人杜凤治在宦粤14年的日记中,较为清晰地记录了晚清广府官场宴戏及民间演剧的面貌,为我们触摸100多年前岭南戏曲的历史提供了第一手文献。《杜凤治日记》还以官员的视角展示官府禁戏的历史场域,重现各种禁戏指令出台和执行的始末,开显官方与文化传统、地方士绅及在华洋商等多重因素较力的隐幕。
[Abstract]:Lingnan was far away from the cultural center of China, and the Lingnan opera reached its peak after the middle Qing Dynasty. Tongzhi, a Zhejiang native du Fengzhi, was in the 14 years' diary of official Guangdong during the period of Guang Xu. It clearly records the appearance of the official banquet and folk drama of the Guangfu government in the late Qing Dynasty, and provides us with first-hand literature for touching the history of Lingnan opera more than 100 years ago. Du Fengzhi's Diary also shows the historical field of the official ban on opera from the perspective of officials. The reappearance of various proscription instructions and the implementation of the first and last, the opening of official and cultural traditions, local gentry and foreign merchants in China and other factors more powerful hidden screen.
【作者单位】： 中山大学中国非物质文化遗产研究中心;中山大学文化遗产传承与数字化保护协同创新中心;
【基金】：国家社会科学基金重点项目《新加坡藏“外江戏”剧本的搜集与研究》(14AZW009)
【分类号】：J809.2
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本文编号：1600912