豫剧《程婴救孤》的音乐创作研究

发布时间：2018-03-13 02:25

本文选题：豫剧创作的演变　切入点：板式组织结构类型　出处：《四川师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：摘要：豫剧《程婴救孤》自2002年排演以来,至今已演出千余场,得到了广泛好评。2008年该剧还赴意大利参加“罗马中国艺术节”,此后又应邀赴法国巡演,让豫剧第一次走出国门,让海外公众了解了中国戏曲、中国传统文化。《程婴救孤》之所以能在各剧种同题材的剧目中脱颖而出,并在近十年的时间里久演不衰,不仅在于它本身具有极高的艺术造诣,更主要在于它实现了传统名剧的现代转换,做到了传统与现代、思想与艺术的统一。本文通过对《程婴救孤》音乐创作的分析,总结和探究出现代戏曲音乐创作所遵循的规律,对促进豫剧理论研究的发展具有一定的推动作用,对于今后豫剧优秀剧目的创作有着重大的理论指导意义。本文先介绍了豫剧创作过程的演变和传统豫剧的风格、板式等,再对《程婴救孤》的声腔部分和器乐部分的音乐以及演员的二度创作进行分析,最后总结了其在音乐方面的成功之处。
[Abstract]:Abstract: since its rehearsal on 2002, Henan Opera has performed more than a thousand performances, which have won wide acclaim. In 2008, it went to Italy to participate in the Roman Chinese Arts Festival, and then was invited to France to perform for the first time in order to make Henan Opera go out of the country for the first time. Let the overseas public understand the Chinese opera, the Chinese traditional culture. "Cheng Ying Save the Gu" was able to stand out from the repertoire of all kinds of plays of the same subject matter, and it has not only had extremely high artistic attainments in the past ten years. More importantly, it has realized the modern transformation of the traditional famous opera, achieved the unity of tradition and modernity, thought and art. Through the analysis of music creation of "Cheng Ying Save the Gu", this paper summarizes and explores the rules followed in the creation of modern opera music. It plays a certain role in promoting the development of Henan opera theory research, and has great theoretical guiding significance for the creation of outstanding opera works in the future. This paper first introduces the evolution of the creation process of Henan opera and the style and style of the traditional Henan opera, and then analyzes the music of the vocal and instrumental parts of Cheng Ying Save the Gu and the second creation of the actors. Finally, it summarizes its success in music.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

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