当前位置:主页 > 文艺论文 > 戏剧论文 >

歌剧《原野》男女主人公角色的分析与演绎

发布时间:2018-03-13 03:18

  本文选题:歌剧《原野》 切入点:金子 出处:《山西大学》2012年硕士论文 论文类型:学位论文


【摘要】:歌剧《原野》是一部融合戏剧性与悲剧性特点而创作的歌剧,它在我国的歌剧发展史上具有里程碑式的作用。这部歌剧无论是在人物形象设计上、舞台布景及背景效果、还是在音乐的创作特征及演唱技巧上都独具创新,有它独特的风格。本文就是要通过人物角色的刻画作为主题材料,再加上对人物的主要唱段进行全面的分析,使演唱者在演唱时能够更好的把人物形象和演唱技巧相结合,从而达到一个完美的演唱境界。 全文分为四个章节: 第一章主要是通过三个内容来进行详细的阐述。一方面通过对各个时期中国歌剧发展的介绍,让人们对中国歌剧的发展有一个大概的了解,另一方面通过对作者曹禺的“三部曲”的创作时期进行详细的介绍使人们对作者剧作有个详细的了解,最后介绍曹禺剧作的艺术特点,本文通过人物形象,戏剧冲突,语言个性这三方面进行研究,使人们对曹禺剧作的艺术特点有充分的把握。 第二章分为两个小章节来介绍《原野》这部作品。其一就是对《原野》的由来以及话剧《原野》的创作背景、再到由金湘、万方改编的歌剧《原野》的创作背景做介绍,这样会使人们清晰地了解这部歌剧创作的艰难过程,也使人们能更准确的认识这部歌剧。其次是介绍歌剧《原野》的剧情内容以及歌剧《原野》的音乐特征,阐述出音乐对剧情发展有重要作用。 第三章是通过男主人公仇虎与女主人公金子两个人物的角色刻画来做具体分析。把他们的生活背景和坎坷经历联系起来,把他们不同的性格特征以及当时复杂的人物关系联系起来,进而准确的分析他们的心理变化过程,使人们更好的了解剧中男女主人公的内心感受。 第四章主要是通过对男女主人公金子和仇虎的咏叹调以及他们重唱唱段的演绎以剧情中所处的具体环境和人物内心的活动来进行分析,使演唱者在以后的演唱过程中能够更好的在把人物的内心活动和演唱技巧相结合的基基础上能够更完美地把人物形象表现出来。 笔者在收集和撰写歌剧《原野》这部歌剧时发现,人们在研究这部歌剧时主要是在理论方面进行大量的分析研究,很少有对这部歌剧的人物角色刻画以及它的演唱处理进行分析,本文主要通过对这部歌剧中男女主人公金子和仇虎这两个人物角色的刻画和他们主要唱段的演唱处理和分析作为研究对象,并建议音乐界的学子们在今后的研究过程中能对这部歌剧进行更深入的研究和探讨。
[Abstract]:Opera "the Field" is an opera composed of dramatic and tragic features, which has a landmark role in the history of opera development in China. This opera is not only in the design of characters, but also in the stage setting and background effects. Or in the creative characteristics of music and singing skills are unique innovation, with its unique style. This article is to portray the characters as the theme material, plus the characters of the main tracks for a comprehensive analysis. In order to achieve a perfect singing state, the singer can better combine the character image and singing skills. The full text is divided into four chapters:. The first chapter is mainly through three contents to elaborate in detail. On the one hand, by introducing the development of Chinese opera in various periods, people can have a general understanding of the development of Chinese opera. On the other hand, by introducing the author Cao Yu's "trilogy" in detail, people can have a detailed understanding of the author's plays, and finally introduce the artistic characteristics of the works. The study of language personality makes people have a full grasp of the artistic characteristics of Cao Yu's plays. The second chapter is divided into two small chapters to introduce this work. One is to introduce the origin of the field and the background of the creation of the drama, the field, and the background of the opera the field adapted by Jin Xiang and Wanfang. This will give people a clear understanding of the difficult process of making the opera, as well as a more accurate understanding of the opera. Secondly, it will introduce the plot of the opera "the Field" and the musical characteristics of the opera "the Field." It is expounded that music plays an important role in the development of the plot. The third chapter is through the hero Qiu Hu and the heroine gold two characters portray to do the concrete analysis. By connecting their different personality characteristics and the complex relationship between the characters at that time, we can accurately analyze their psychological change process, so that people can better understand the inner feelings of the protagonists and heroines in the play. Chapter 4th is mainly based on the hero and heroine gold and Qiu Hu's arias and their recitals of the interpretation of the plot in the specific environment and the activities of the characters to conduct an analysis. So that the singer in the later singing process can be better in the characters' inner activities and singing skills on the basis of a more perfect performance of the character image. When I collected and wrote the opera "the Field", I found that when people studied the opera, they mainly carried out a lot of theoretical analysis and research. There is very little analysis of the character portrayal of the opera and how it is performed, This article mainly through the heroine gold and the Qiu tiger in this opera two personages' portrayal and their main choir singing processing and the analysis as the research object. It is suggested that the music students should study the opera more deeply in the future.
【学位授予单位】:山西大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J822

【参考文献】

相关期刊论文 前9条

1 焦海燕;曹禺塑造人物的艺术[J];东方艺术;1994年03期

2 申哲辉;“原始力”的化身——《原野》中花金子形象解读[J];理论与创作;2005年04期

3 邹正选;论金子[J];四川师院学报(社会科学版);1985年01期

4 高月娟;;女性主义视角下的曹禺创作[J];时代文学(双月版);2006年06期

5 孙德喜;试论仇虎的复仇意识[J];绥化师专学报;1996年03期

6 居其宏;;论我国歌剧重唱创作[J];上海师范大学学报(哲学社会科学版);1985年03期

7 冯文秀;试谈曹禺早期戏剧女性形象的性格悲剧[J];山西广播电视大学学报;2005年01期

8 杜正华;论《原野》中的复仇意识[J];咸宁学院学报;2005年01期

9 李洁;试论曹禺剧作中的三个女性形象[J];伊犁师范学院学报(社会科学版);1996年03期

相关硕士学位论文 前1条

1 王鹂;歌剧《原野》中“金子”角色的形象塑造[D];华中师范大学;2007年



本文编号:1604565

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/1604565.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户c01cb***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com