河洛大鼓书目研究

发布时间：2018-03-17 20:54

本文选题：河洛大鼓　切入点：艺术风貌　出处：《河南大学》2012年硕士论文　论文类型：学位论文

【摘要】：河洛大鼓是二十世纪在河南豫西地区产生并发展传播的鼓书类曲艺形式。其演出形式为一人或两人站立表演，以击鼓和打板配合说唱，以坠胡、三弦、二胡、琵琶等乐器伴奏。河洛大鼓唱腔质朴流畅，旋律简明活泼，内容生动多样，，十分符合当地人民幽默、质朴、乐观的性格，深受当地群众的喜爱。本文以河洛大鼓的演唱文本——即河洛大鼓的书目为研究对象，梳理论证河洛大鼓的源起和发展，归纳总结河洛大鼓书目的艺术风貌，分析探究河洛大鼓书目的文本分类，以期挖掘河洛大鼓书目题材和内容的多样性、丰富性。全文共分绪论、正文、结语三部分。绪论部分回顾学界对河洛大鼓的研究状况并做简要梳理，陈述本文的研究价值及创新之处。正文分为三章。第一章：河洛大鼓的源起与发展。追溯河洛大鼓的源起和发展，介绍河洛大鼓形成的人文环境，河洛地区的地理优势和文化积淀是产生河洛大鼓的外在因素。第二章：河洛大鼓的音乐特色及艺术风貌。河洛大鼓是洛阳琴书和南阳大鼓相结合的产物，在产生之初和陆续发展的过程中，都努力吸收其他艺术形式的精华，并逐渐形成自己的艺术风貌。不仅在音乐唱腔上纳百家之长，在书目上也具有包罗万象的特点。恢宏大气的阳刚之美和尊重生活的自然之美是河洛大鼓书目的艺术特色。崇尚道德伦理的惩恶和扬善、包容万象的吸纳力和辐射力则是河洛大鼓书目的文化内涵。第三章：河洛大鼓书目的文本分析。河洛大鼓的书目可分为短篇书帽、中篇书段和长篇大书三种类型。短篇书帽分为垫场书帽和开板书帽。中篇书段按内容可分为历史故事和民间传说、劝家书、还愿书。长篇大书的情节具有传奇性、连贯性和曲折性的特点，提示法、紧张冲突法和虚设法则是长篇大书设置悬念的三种方法。结语部分简述河洛大鼓的生存现状并对其未来的发展提出建议。
[Abstract]:In 20th century, he Luo Dagu was produced and spread in the western part of Henan Province. Its performance was performed by one or two people standing, singing with drum and board, falling Hu, Sanxian and Erhu, Accompaniment of pipa and other musical instruments. He Luo Drum sings plainly and fluently, the melody is simple and lively, and the content is vivid and diverse, which is very consistent with the humor, simplicity and optimism of the local people. Deeply loved by the local people, this paper takes the singing text of the Holo Dagu, that is, the bibliography of the Holo Dagu, as the research object, combs and demonstrates the origin and development of the Holo Dagu, and sums up the artistic features of the Horo Dagu Bibliography. This paper analyzes and probes into the text classification of the Heluo Dagu Bibliography in order to excavate the diversity and richness of the subject matter and content of the Horo Dagu Bibliography. The full text is divided into three parts: introduction, text and conclusion. In the introduction part, the author reviews the research status of Heluo Dagu in academic circles and briefly combs it, and states the research value and innovation of this paper. The text is divided into three chapters. Chapter one: the origin and development of Holo Dagu. Tracing back to the origin and development of Holo Dagu, introducing the humanistic environment formed by Heluo Dagu, the geographical advantage and cultural accumulation of Heluo area are the external factors that produce Holo Dagu. The second chapter: the musical features and artistic features of the Holo Dagu. The Hollow Drum is the product of the combination of Luoyang Qin books and Nanyang Drum. At the beginning of its emergence and in the process of its continuous development, it has made great efforts to absorb the essence of other artistic forms. And gradually formed their own artistic style. Not only in music singing, The beauty of masculinity and the beauty of respecting the nature of life are the artistic features of the Bibliography of Hollow, which advocates moral and ethical punishment of evil and exalts the good. The absorbing power and radiating power of tolerant Vientiane is the cultural connotation of Heluo Dagu Bibliography. Chapter three: text Analysis of the Bibliography of Holo Dagu. The bibliography of Holo Dagu can be divided into short book caps, The short book cap is divided into a pad cap and a blackboard cap. The middle book paragraph can be divided into historical stories and folklore according to the content, persuading family letters, vows. The plot of the long book is legendary. The characteristics of coherence and tortuosity, hint method, tension conflict law and fictional rule are three methods of setting suspense in long books. The conclusion part briefly describes the survival status of Heluo Dagu and puts forward some suggestions for its future development.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J826

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