我国新时期三部严肃歌剧音乐创作研究

发布时间：2018-03-20 22:36

本文选题：新时期　切入点：严肃歌剧　出处：《南京艺术学院》2012年博士论文　论文类型：学位论文

【摘要】：进入新时期以来，我国的严肃歌剧事业进入了一个繁荣时期，创作上演了大量作品。本文选取了其中较为成功的三部《原野》、《苍原》及《雷雨》，以歌剧音乐的戏剧性展开作为切入点对其音乐创作进行综合研究。正文共分为四章：第一章从三部歌剧整体音乐创作特征方面进行了分析。金湘、徐占海、莫凡均是个性非常突出的作曲家，无论在美学观、创作观及具体创作技法等方面都有自己的追求，再加上三部歌剧的剧情各异，因此，展现在我们面前的歌剧音乐风格是各不相同。第二章从歌剧音乐的形态：咏叹调、宣叙调、重唱曲、合唱曲及器乐创作等方面对三部歌剧音乐的戏剧性呈现做了较为详尽的分析。第三章歌剧中存在着两种结构：戏剧结构和音乐结构，两者在作品中的关系是相互依存、共同发展的。本章从三部歌剧的整体音乐结构的戏剧性思维及结构内各单元的运动状态及其戏剧性呈现、音乐与戏剧高潮的安排等方面对三部歌剧做了研究。第四章形象塑造是歌剧音乐的终极目标。本章从《原野》、《苍原》及《雷雨》三部歌剧中选取了十个具有典型意义的人物，详细分析了作曲家采用各种手法塑造他们音乐形象的过程。这三部作品尽管内容题材各异，且由不同风格的作曲家创作于不同年代，整体呈现出不同的风格，但是，贯穿其中的歌剧音乐创作原则却是相同的，即：歌剧音乐的戏剧性。这也是歌剧音乐与其他类型音乐作品的不同之处，也是作为一个歌剧作曲家必须要掌握的原则。
[Abstract]:Since entering the new era, the serious opera cause in our country has entered a prosperous period. In this paper, three successful works, Cangyuan and thunderstorm, are selected, and the dramatic development of opera music is taken as the starting point for a comprehensive study of his musical creation. The text is divided into four chapters:. The first chapter analyzes the characteristics of the overall music creation of the three operas. Jin Xiang, Xu Zhanhai and Mo Fan are all highly individualized composers who have their own pursuits in terms of aesthetic view, creative view and specific creative techniques. In addition, the three operas have different plots, so the musical styles of the operas in front of us are different. The second chapter makes a detailed analysis of the dramatic presentation of the three operas from the aspects of aria, recital, duet, chorus and instrumental music. In the third chapter, there are two structures in opera: the structure of drama and the structure of music. This chapter studies the three operas from the aspects of the dramatic thinking of the whole musical structure of the three operas and the movement state and dramatic presentation of each unit in the structure, and the arrangement of the music and drama climax. Chapter 4th is the ultimate goal of opera music. This chapter selects ten characters with typical meaning from three operas: field, Cangyuan and thunderstorm. This paper analyzes in detail the process in which composers use various techniques to shape their musical images. Although the three works have different contents and themes, and have been created by composers of different styles in different ages, they all present different styles, but the principles of opera music creation throughout them are the same. This is the difference between opera music and other types of music, and it is also the principle that an opera composer must master.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2012
【分类号】：J617.2

【参考文献】