又见梅郎——梅派新作《梅兰霓裳》的前世今生和相约未来

发布时间：2018-03-21 00:33

  本文选题：见梅　切入点：梅兰　出处：《戏曲艺术》2014年02期 　论文类型：期刊论文

【摘要】：正去岁以来,首都戏曲舞台上出现了一出由梅派传统名剧《太真外传》整理改编的梅派新作《梅兰霓裳》,引起北京、全国乃至海内外关心戏曲改革和梅派艺术的众多同仁、观众和戏曲爱好者的极大关注和广泛好评,至今,该剧还在修改、完善之中,总体评价似为时尚早,心中的大潮却早已荡出胸臆,难遏难平。"又见梅郎",是我久藏于心的一大深愿和一大情结。自我儿时痴恋梅派到我从事京剧工作以来,看了几十年不同人演的成色不同的梅派戏,无论传
[Abstract]:Since the beginning of last year, there has been a new Mei School novel, "Mei Lan Niang", which has been arranged and adapted from the traditional famous Meimei opera "too True Foreign Biography" on the stage of the Capital Opera, which has aroused many colleagues in Beijing, all over the country and even at home and abroad who are concerned about the reform of opera and the art of the Mei School. The audience and opera lovers have paid great attention and received high praise. Up to now, the play is still being revised and perfected. It seems that the overall evaluation is too early, but the spring tide in the heart has already given rise to the presupposition. It is a deep desire and a complex that I have been hiding in my heart for a long time. Since my childhood love for Mei sent to me to work in Beijing Opera, I have seen different kinds of plum opera performed by different people for several decades, regardless of the biography.
【分类号】：J821;K825.78
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本文编号：1641477