旧剧革命的划时期的开端
发布时间:2018-03-30 11:56
本文选题:戏曲改革 切入点:描写对象 出处:《当代戏剧》2015年03期
【摘要】:正有理想的文化志士,一直在探求戏曲改革之路。早在辛亥革命前后,就发生过戏曲改良运动。然而,真正把戏曲改革和发展提升到新文化建设的高度并作为文化事业开展工作,则是从中国共产党领导的延安及其抗日根据地开始的。当年,一大批接受马克思列宁主义、追求革命理想的进步知识分子中的戏剧专业人才齐聚延安,或采取"旧瓶装新酒"、"改旧编新"的方式发扬光大传统戏曲艺术,或以现实主义创作方法与时俱进地编演现代戏,着力反映革命斗争的现实生活,描写对象以工农兵群众为主,同时在戏曲编导、音乐、表演、舞美及演出活动方式等方面改进和创新,从此开创了旧剧革命的新生面。
[Abstract]:Culture is the ideal person, always in search of drama reform. As early as before and after the revolution, had the opera reform movement. However, the real drama reform and development to a new height of the cultural construction and cultural undertakings as to carry out the work, is from Yanan and the Anti Japanese China under the leadership of the Communist Party to start. That year, a large number of accepted Marx Lenin's drama, professional pursuit of revolutionary ideals among progressive intellectuals gathered in Yanan, or to take the "new wine in old bottles", "old new" way to carry forward the traditional opera art, or to keep pace with the times' realistic writing method of modern drama, efforts reflect the revolutionary struggle in real life, describing the object to the gongnongbing, at the same time in the drama director, music, performance, dance performances and so on improvement and innovation, from the start of old revolutionary drama A new face.
【分类号】:J809.2
【相似文献】
相关期刊论文 前10条
1 文忆萱;崔嵬与湖南戏曲改革[J];艺海;2005年04期
2 王艳武;施艳霞;;戏曲改革面面谈[J];大舞台;2010年06期
3 宋谋s,
本文编号:1685809
本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/1685809.html