“一个人”的内心独白——当代昆曲《我,哈姆雷特》观后

发布时间：2018-03-30 13:28

  本文选题：张军　切入点：演绎方式　出处：《艺术评论》2017年06期

【摘要】：正当代昆曲《我,哈姆雷特》,从2016年10月在中华艺术宫首演,到2017年4月在上海大戏院再次亮相,吸引观众的,一是"昆曲王子"张军的号召力;二是因为这部作品独特的演绎方式。冠以"当代"二字,那就必须要有"当代"的元素和气质,这部被很多媒体称作昆曲"独角戏"的作品,由张军—人分饰几个角色:哈姆雷特、掘墓人、奥菲利亚、亡灵(哈姆雷特之父)、国王(篡位后的叔父)、王后、伶王、伶后、伶王之
[Abstract]:The contemporary Kunqu Opera, Hamlet, premiered at the Chinese Art Palace in October 2016, and appeared again at the Shanghai Grand Theater in April 2017. The first is the appeal of Zhang Jun, Prince of Kunqu Opera; Second, because of the unique way in which this work is interpreted. With the word "contemporary", it is necessary to have the element and temperament of "contemporary", a work called "monologue" by many media. Played by Zhang Jun: Hamlet, grave digger, Ophelia, the undead (the father of Hamlet, the king, the queen, the king, the queen, the actor, the king, the king).
【作者单位】： 上海歌剧院艺术创作室;
【分类号】：J82
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本文编号：1686122