“铁板铜琶”的美学源流没有中断——论话剧《中华士兵》的舞台艺术

发布时间：2018-04-04 18:39

本文选题：铁板铜琶　切入点：国家话剧院　出处：《艺术评论》2015年10期

【摘要】：正由中国国家话剧院查明哲导演的话剧《中华士兵》(编剧:冯俐)为中国当代话剧舞台注入了一种久违的豪迈之气和阳刚之美。在2015年纪念世界反法西斯战争胜利的历史回望中,该戏表现了中华民族抗日战争中一段可歌可泣的历史,聚焦于1939年著名的"中条山保卫战"中八百名不足20岁的"陕西冷娃",先后以血肉之躯抵挡疯狂的日寇,在弹尽粮绝后集体跃入黄河的真实故事,表现了三秦大地的儿女"若为奴,毋宁死"的铮铮铁骨,同时也为中华民族
[Abstract]:The play "the Chinese Soldier" directed by the Chinese National Drama Theater, ChaMingzhe (screenwriter: Feng Li), infuses the stage of contemporary Chinese drama with a long-lost sense of heroism and masculinity.In a historical look back at the 2015 commemoration of the victory of the world's anti-fascist war, the play represents a period of singing and sobbing history in the anti-Japanese war of the Chinese nation.Focusing on the famous "Zhongtiao Mountain Defense War" in 1939, 800 "Shaanxi Lengwa", who were under 20 years old, successively fought off the crazy Japanese invaders with flesh and blood, and then collectively jumped into the Yellow River after running out of ammunition.It shows the clank of the sons and daughters of the three Qin Dynasty, "if they are slaves, or they prefer to die", but also for the Chinese nation.
【作者单位】：北京大学艺术学院;
【分类号】：J824

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