清唱剧《弥赛亚》唱段《锡安人民多么快乐》的演唱分析

发布时间：2018-04-04 18:50

本文选题：清唱剧　切入点：弥赛亚　出处：《东北师范大学》2017年硕士论文

【摘要】：在欧洲音乐发展史上,宗教音乐一直是早期音乐艺术的摇篮和源泉,而在这其中的声乐艺术是宗教音乐最重要的组成部分;可以说欧洲的音乐文化是起源于教会音乐文化的,从最初的基督教诞生,在到中世纪时期单声部圣咏音乐的出现和后来的复调音乐发展以及巴洛克时期多种声乐体裁的演变,歌唱艺术的发展历程也是从单一到多样化、从简单到复杂化。巴洛克时期是声乐艺术发展历史上最辉煌的一个时期,歌剧的诞生、多种器乐和声乐体裁的完善、阉人歌手精湛的歌唱技巧、从复调音乐到主调音乐风格的转变等,这是巴洛克时期与其它音乐时代所不同和独特之处,思想的变革和社会的发展为这个时期的音乐注入了新的生命力。在这个时期有一位与巴赫齐名的伟大音乐家,就是乔治·弗里德里希·亨德尔(George rideric Handel,1685-1759),他的创作领域涉及广泛并且是一位多产的作曲家,他的作品以音乐风格清晰、情感丰富细腻而闻名。亨德尔创作的歌剧和清唱剧曾被国王贵族高度赞扬,深受民众的喜爱。亨德尔晚年期间,创作了三部伟大的清唱剧,其中的《弥赛亚》是他创作的最成功的一部清唱剧。《弥赛亚》使得人们记住了这位伟大而善良的“清唱剧大师”。他的作品是站在民众的视角下,在继承传统优秀成果的基础上,对语言和音乐的表现手法和方式做出了创新,是音乐史上的一笔巨大的财富,更成为后人研习巴洛克时期歌唱技术的珍贵资源。本文选取亨德尔《弥赛亚》的唱段《锡安人民多么快乐》为研究对象,从三个部分阐述:清唱剧的文化渊源和《弥赛亚》的创作背景,歌曲的演唱分析来提出问题。针对第一部分查阅《基督教音乐文化》和《西方声乐艺术史》等相关文献资料,可发现西方音乐的发展深受宗教的影响,所以从基督教和声乐艺术之间的关系为切入点,研究解决清唱剧与早期的声乐艺术的关系和清唱剧与17世纪声乐艺术之间的关系,最后对清唱剧的产生和发展,艺术形式进行梳理研究。第二部分需查阅亨德尔传记和弥赛亚相关文献,对亨德尔清唱剧的创作历程和音乐风格进行梳理,研究亨德尔的宗教信仰和创作理念对他的影响,进而阐明《弥赛亚》的创作背景和作品内容。第三部分是本文的研究核心,从笔者实践歌唱出发,发现亨德尔清唱剧的演唱特点和风格,分析歌曲歌唱技术和语言、内涵和版本等。笔者结合自身对歌曲的理解,分析亨德尔清唱剧的歌唱表演风格和教学价值。
[Abstract]:In the history of European music development, religious music has always been the cradle and source of early musical art, in which vocal music art is the most important part of religious music.From the birth of Christianity to the emergence of monophonic chants in the Middle Ages and the subsequent development of polyphonic music, as well as the evolution of various vocal genres in the Baroque period, the development of singing art has also changed from single to diverse.From simplicity to complexity.The Baroque period was one of the most splendid periods in the history of vocal music development, the birth of opera, the perfection of various instrumental and vocal genres, the exquisite singing skills of eunuchs, and the transformation from polyphonic to dominant musical styles.This is the difference and uniqueness between Baroque period and other music times. The change of thought and the development of society infuse new vitality into the music of this period.There was a great musician like Bach at this time, George Friedrich Hendall rideric rideric Handeln 1685-1759. He wrote in a wide range of fields and was a prolific composer whose work was clear in musical style.The emotion is rich and exquisite and famous.Handel's opera and oratorio were highly praised by the king's aristocrats and loved by the people.In his later years, Handel wrote three great oratorios, among which Messiah was the most successful oratorio.His works are from the perspective of the public, on the basis of inheriting the traditional excellent achievements, the expression of language and music has been innovated, which is a great wealth in the history of music.It has become a valuable resource for later generations to study the singing techniques of Baroque period.This paper chooses Handel's "how happy the people of Zion" as the research object, and expounds from three parts: the cultural origin of oratorio, the background of "Messiah", and the singing analysis of songs to raise questions.In view of the reference to the first part of the literature such as Christian Music Culture and the History of Western vocal Music Art, we can find that the development of western music is deeply influenced by religion, so from the perspective of the relationship between Christianity and vocal music art,This paper studies the relationship between oratorio and early vocal music art and the relationship between oratorio and 17th century vocal music art. Finally, it studies the emergence and development of oratorio and its artistic form.In the second part, we need to refer to Handel biography and Messiah related documents, to sort out the creative history and music style of Handel oratorio, and to study the influence of Handel's religious beliefs and creative ideas on him.The background and content of the creation of Messiah are expounded.The third part is the core of this paper. From the author's practice of singing, the author finds out the singing characteristics and style of Handel oratorio, and analyzes the singing technology and language, connotation and edition of the song.The author analyzes the singing performance style and teaching value of Handel oratorio based on his own understanding of songs.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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