音乐剧《弘一》的创作观念与手法

发布时间：2018-04-15 23:37

  本文选题：音乐剧《弘一》 + 剧本编创　； 参考：《四川戏剧》2017年04期

【摘要】：音乐剧《弘一》在剧本创作中对于传统结构套路的突破,应用"一身二态"的手法按编年体逻辑渲染人物与事件;在音乐与唱法编创中兼具多元性与民族风,细腻还原时代风貌,准确表现人物形象与内心情感;在舞美制作方面更是别具匠心地将多媒体技术巧妙应用,营造出极为浓烈的文艺气质。在分析手法创新及舞台表现之余,文章也从微观案例的角度思考了国内音乐剧创作与审美的成熟趋势。
[Abstract]:The musical "Hongyi" has made a breakthrough in the traditional structure routine in the script creation, using the technique of "one body and two states" to render figures and events according to chronological logic, and to have both pluralism and ethos in the creation of music and singing method.Exquisite restoration of the style of the times, accurate expression of the image of characters and inner feelings; in the production of dance is ingenious to apply multimedia technology, to create a very strong literary temperament.Besides analyzing the innovation of technique and stage performance, the article also thinks about the mature trend of domestic musical creation and aesthetics from the angle of microcosmic cases.
【作者单位】： 黄河科技学院;
【分类号】：J822
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本文编号：1756357