中国戏曲丑角的美学探究

发布时间：2018-04-17 18:35

本文选题：丑角 + 喜剧　；参考：《山东师范大学》2012年硕士论文

【摘要】：中国戏曲里的丑角有着悠久的发展历史，具有重要的研究价值，本论文正是基于前人对戏曲研究、对丑角研究的基础之上，从美学理论出发对丑角进行研究。丑角的历史生成经历了一个漫长的发展过程，要对丑角进行审美探究，首先要了解这一角色在戏曲中的发展表现，本论文由丑角的形成过程入手，在第一部分对丑角发展进行了溯源和分类，从文献入手对丑角形成前的各阶段特征进行论述，从而揭示出丑是如何独立成为戏曲中的一个行当的。文章第二部分，进一步分析了丑角的三个艺术审美特征：丑角的美学本质特征——丑中见美，丑角的美学形态特征——滑稽，丑角的美学效果特征——笑，丑中见美是丑角最本质的美学特征，，丑角的化丑为美表现的是一个将形式丑转化为艺术美的过程，本章第一节便由戏曲个案出发对丑角如何化丑为美详细做了分析，随后，论文通过对滑稽特点的分析来表现丑角与滑稽的关系，并进一步论述滑稽和笑在丑角表演中的意义，具有一定的新颖性，同时丑角在戏曲表演时所带给人们的悲感，在此部分也做了简单的说明。在戏曲里，丑角与其他行当有着显著的区别，观众对不同的角色也有着不同的审美要求，丑角不像旦角那样或端庄或稳重，不像生角那样或潇洒或老成，也不像净角那样鲁莽或暴躁，丑角是特殊的，他有着与众不同的才思性情，有着无比执着又真诚的精神，时时处处体现着对自由的向往，因此丑角的特殊是值得肯定的，论文在第三部分从丑角的舞台表现和才思性情两方面对其艺术创造进行了详细的论述。我们要研究一个角色，就必须同时研究他的接受情况才能够完整，对于戏曲角色行当来说，观众对角色的接受和喜爱程度也透露出了人们审美意识的发展状况，因此在文章最后一部分介绍了丑角与中国传统审美文化心理的关系、丑角与大众审美接受的关系。与之前对丑角在艺术表演领域单一化研究不同，文章从美学理论、美学创造及美学接受等方面将戏曲丑角作为一个美学对象研究，是一个从点到面的过程，丑角特殊的审美性质及其丑中见美的艺术本质也得到了系统的阐释。
[Abstract]:The clown in Chinese opera has a long history of development and has important research value. This paper is based on the previous studies of opera, on the basis of the study of clowns, from the perspective of aesthetic theory to study clowns.The history of the clown has experienced a long process of development. In order to explore the role of the clown aesthetically, first of all, we should understand the development of this role in the drama. This paper starts with the formation process of the clown.In the first part, the origin and classification of the development of clowns are traced, and the characteristics of each stage before the formation of clowns are discussed from the literature, so as to reveal how the appearance of ugliness has become an independent profession in the opera.The second part of the article further analyzes the three artistic aesthetic characteristics of the clown: the essential aesthetic characteristics of the clown-the beauty in the ugly, the aesthetic morphological characteristics of the clown-funny, the aesthetic effect of the clown-laugh.The appearance of beauty in ugliness is the most essential aesthetic characteristic of clown, and the process of transforming form ugliness into artistic beauty is represented by the transformation of clown into beauty. The first section of this chapter analyzes in detail how the clown turns ugliness into beauty from the case of drama.Through the analysis of the funny features, the paper shows the relationship between the clown and the antics, and further discusses the significance of the funny and laughing in the clown performance, which has certain novelty, and at the same time, the clown brings people a sense of sadness when performing in the opera.A brief explanation is also given in this section.In the opera, the clown has a remarkable difference from other professions, and the audience also has different aesthetic requirements for different roles. The clown is not as dignified or stable as the danjiao, not like the born one or chic or mature.Nor is he as reckless or grumpy as the net horn. The clown is special. He has a distinctive intellect, an incomparably persistent and sincere spirit, and a yearning for freedom all the time, so the special character of the clown is worthy of recognition.In the third part, the artistic creation of the clown is discussed in detail from its stage performance and talent.If we want to study a character, we must study its acceptance at the same time in order to be complete. For the opera role line, the audience's acceptance and love of the role also reveal the development of people's aesthetic consciousness.Therefore, in the last part of the article, the relationship between clown and Chinese traditional aesthetic culture psychology and the relationship between clown and popular aesthetic acceptance is introduced.Different from previous studies on the singleness of clowns in the field of artistic performance, the article regards the clown as an aesthetic object from the aspects of aesthetic theory, aesthetic creation and aesthetic acceptance, which is a process from point to face.The special aesthetic nature of clown and the artistic essence of beauty in ugliness have also been systematically explained.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J801

【引证文献】