二人转与二人台演唱方法比较研究

发布时间：2018-04-18 10:49

本文选题：二人转 + 二人台　；参考：《东北师范大学》2012年硕士论文

【摘要】：在我国广袤东北大地的白山黑水之间，生长着一种带着浓浓关东情的艺术——二人转，而在我辽阔的大西北地区，也流传着一种相似的民间艺术——二人台，东北二人转和西北二人台在各自的土地上有着悠久的历史和深厚的群众基础，从二者产生到现在的几百年以来，其音乐的养分一直浸润、滋养着两地勤劳、质朴的人们，笔者通过在吉林省和山西省两地学习了解到，两个姐妹剧种虽有一字之差，但发展状况不尽相同，一个红红火火，一个却日渐萎靡，然而在二人转红火发展的背后却是传统唱腔的缺失，而二人台优美的唱腔，也没有繁荣的发展，为了探究其中原因，也为了日渐消沉的传统民间艺术，，以及对民族声乐的发展的关注，笔者萌发了写作此文的意图。二人转和二人台有着大致相同的发展过程，演唱形式，相似的唱腔结构，但由于方言和曲调等差异又形成了各自不同的风格，分析总结二者演唱方法的相同之处与不同之处，以及差异背后的原因，对于探究日益枯萎的中国传统艺术是相当必要的。全文分为三章，力求以历史为基点，在文化层面上探究二者演唱方法异同，取其精华，繁荣民族声乐发展，以演唱方法为视角探究其发展过程。第一章以二人转和二人台历史发展为研究脉络，展开比较分析研究，其中包括对二者的历史源流、当代新发展和发展中的问题等内容，总结二者的差异和共性。第二章以两个地域文化为视角对二者的演唱方法进行具体比较分析。第三章是戏曲音乐对声乐学习与教学的借鉴，利用二人转和二人台中的某些演唱方法，丰富民族声乐的演唱技巧，总结戏曲声乐中可借鉴的演唱技巧和规律，取长补短，以期达到丰富学院派声乐学习，促进二人转、二人台两个优秀剧种共同繁荣的目的，使我国音乐宝库中的两颗硕大而璀璨的明珠愈发绚烂夺目。本文中采用的理论研究方法主要有:音乐本体研究法、田野调查法、比较研究方法等。
[Abstract]:Between the white mountains and black waters of the vast northeastern land of China, there is a kind of art, the Errenxun, with a strong affection from the east to the east, and in my vast northwest region, there is also a similar folk art, a two-person stage.The Northeast Errenhuan and the Northwest Errentai have a long history and a deep mass foundation on their respective lands. From their emergence to the present hundreds of years, their music nutrients have been infiltrating, nourishing the industrious and simple people of both places.The author learned from his studies in Jilin Province and Shanxi Province that although there is a character difference between the two sisterly dramas, the development situation is not the same. One is flourishing, the other is declining day by day.However, behind the development of the red fire of Erren turn is the lack of traditional singing, and the beautiful singing of the two men's station has no prosperous development. In order to explore the reasons for this, and also for the declining traditional folk art,As well as the development of national vocal music, the author sprout the intention of writing this article.Errenxun and Errentai have roughly the same developing process, singing form, similar singing structure, but because of the difference of dialect and tune, they form their own different styles, and analyze and sum up the similarities and differences between the two singing methods.And the reasons behind the differences, it is necessary to explore the withered Chinese traditional art.The full text is divided into three chapters, in order to explore the similarities and differences of the two singing methods on the cultural level based on history, to take the essence of the two singing methods, to prosper the development of national vocal music, and to explore the process of their development from the perspective of singing methods.The first chapter takes the historical development of Errenhuan and Errentai as the research context, and carries out comparative analysis and research, including the historical origin of the two, contemporary new development and problems in development, and summarizes the differences and commonalities between the two.The second chapter compares the two singing methods from the perspective of two regional cultures.The third chapter refers to the learning and teaching of vocal music by traditional Chinese opera music. It enriches the singing skills of national vocal music by using some singing methods in Errentou and Erren stage, summarizes the singing skills and rules that can be used for reference in traditional Chinese opera vocal music, and makes up for each other's shortcomings.In order to enrich the academic vocal music learning, promote the Erren, two two outstanding drama common prosperity, make our country's music treasure in the two big and bright pearl more and more brilliant dazzling.The main theoretical research methods used in this paper are: music Noumenon Research method, Field investigation method, Comparative Research method and so on.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

【参考文献】