建国初期浙东社会变革中的农村剧团

发布时间：2018-04-25 08:06

本文选题：农村剧团 + 新角色　；参考：《戏剧(中央戏剧学院学报)》2014年04期

【摘要】：浙东地区建国之后兴起的农村剧团,是建立在阶级和政治身份区分上的农民业余文化组织。它以农民为主体、以乡村教师为骨干,并不依靠民间艺人。农村剧团通过围绕中心工作的演剧活动推动当时当地的具体工作,参与改造乡村社会,并对乡村新意义世界的形成有所贡献。然而,基于乡村旧的演剧传统,农村剧团又表现出爱演古装大戏和职业化两种偏向,不过,这两种偏向都得到了有效纠正或限制。
[Abstract]:After the founding of the people's Republic of Zhejiang, the rural theatrical troupe is a peasant amateur cultural organization based on the distinction between class and political identity. It takes the farmer as the main body, takes the village teacher as the backbone, does not rely on the folk artist. The rural theatrical troupes promoted the local concrete work through the drama activities around the central work, participated in the transformation of the rural society, and contributed to the formation of the new meaning world of the countryside. However, based on the old drama tradition in the countryside, the rural troupe showed two kinds of biases, that is, the love of the ancient costume drama and the professionalization. However, these two kinds of biases have been effectively corrected or restricted.
【作者单位】：武汉大学历史学院;宁波大学人文与传媒学院;
【基金】：2011年教育部人文社会科学研究青年基金项目“人民公社的政治传播与社会动员研究(1958-1962)”(项目编号:11YJC860024)的阶段性成果
【分类号】：J809.2

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