清唱剧《塞墨勒》中的咏叹调《为何我难以入睡？》演绎研究

发布时间：2018-05-05 03:34

本文选题：亨德尔 + 清唱剧　；参考：《南京艺术学院》2014年硕士论文

【摘要】：《为何我难以入睡?》（O sleep，why dost thou leave me？）一曲是德国巴洛克时期的伟大作曲家乔治·弗里德里希·亨德尔（George Frederick Handel,1685-1759）创作的《塞墨勒》中一首咏叹调作品，其重要意义显而易见的。从清唱剧《塞墨勒》及《为何我难以入睡》可以看到，亨德尔一方面为了满足当时英国中产阶级听众崇尚古典又追求时尚的复杂心理；另一方面为了迎合音乐潮流和市民口味，在圣经和希腊罗马神话题材上下了不少功夫。在再次创作过程中，亨德尔抓住爱情、复仇和死亡这些大众喜爱的母题进行发挥并深化诸神和凡间的爱情故事，以满足市民社会消除等级界限的朴素愿望。在《塞墨勒》中，亨德尔加重了朱庇特和朱诺变形的戏份和情色的成分，以及通过《为何我难以入睡？》来宣泄主人公的思念和情欲的份量，以迎合听众的心里和增加娱乐性。本文主要通过清唱剧《塞墨勒》及剧中咏叹调《为何我难以入睡？》的创作背景、创作特点、创作思维、唱法处理、情感表现、艺术价值等多方面、多层次的分析对作品的创作特色和演唱处理作深入的演艺研究和归纳，从而使人们对该剧和乐曲有一个全面的认识和把握。本文在绪论部分对本文涉及内容的演艺研究状况进行简要陈述，介绍了本文的创作动机，提出本文的研究方向和演绎目的；第一章介绍了作品的创作背景，包括亨德尔以及他的清唱剧音乐创作、清唱剧《塞》的剧情梗概、“塞墨勒”的人物形象分析；第二章和第三章是本文的主体部分，，第二章通过对作品本体与内涵的分析，从曲式结构、调性和声、音乐风格等方面总结了这部作品的创作手法和特点，第三章是全文的落脚点同时也是本文的核心所在，文章结合了笔者自身音乐会实践演出的体会和总结并结合作品的创作特点在感情表现、演唱技巧处理等方面提出了对作品演艺研究的个人看法。
[Abstract]:(why do I have trouble falling asleep?) A piece of aria by George Friedrich Hendel, a great composer in Baroque period, George Frederick Handeln 1685-1759), the significance of which is obvious. As we can see from the oratorio "Semel" and "Why I can't sleep", Handel, on the one hand, caters to the musical trends and the tastes of the public in order to satisfy the complex psychology of the British middle-class audience who advocated classical and fashion, on the other hand. A lot of work has been done in the Bible and Greek and Roman mythology. In the process of re-creation, Handel grasps the popular motifs of love, revenge and death to play and deepen the love stories of the gods and the ordinary people, in order to satisfy the simple desire of the civil society to eliminate the boundaries of hierarchy. In Seimler, Handel accentuates Jupiter and Juno's transfiguration and eroticism, as well as the release of the hero's thoughts and lust through "Why can't I fall asleep?" in order to cater to the hearts of the audience and increase entertainment. This article mainly through oratorio "Semler" and the play aria "Why can't I fall asleep?" the creation background, the creation characteristic, the creation thought, the singing method processing, the emotion expression, the artistic value and so on many aspects, The multi-level analysis makes a deep research and induction on the creative characteristics and the singing treatment of the works, thus making people have a comprehensive understanding and grasp of the play and the music. In the introduction part, the author briefly states the present situation of performing arts research, introduces the motivation of this article, and puts forward the research direction and deductive purpose of this paper. Chapter one introduces the background of the creation of the works. Including Handel and his oratorio music creation, the synopsis of oratorio, the character image analysis of "Semler", the second and third chapters are the main part of this paper, the second chapter is the analysis of the ontology and connotation of the work. From the aspects of musical structure, tonality harmony, musical style and so on, this paper summarizes the creative techniques and characteristics of this work. The third chapter is the foothold of the full text and the core of this paper. The article combines the author's own experience and summary of the performance of the concert, and combines the creative characteristics of the work in the emotional performance, singing skills processing and other aspects of the works put forward personal views on the study of performing arts.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J617.2

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