传统婺剧中的儿童形象概论

发布时间：2018-05-05 06:13

本文选题：传统婺剧 + 儿童形象　；参考：《金华职业技术学院学报》2016年02期

【摘要】：传统婺剧中的儿童大多面目模糊,在剧中只起道具的作用,用以衬托某一成人形象或传递某种价值观。男童有两类,一类早慧而好读,能为父母分忧,为家庭解难,长大以后功成名就,光宗耀祖;一类从小顽劣不驯,长大后十恶不赦。女童形象较少,但往往是极富光彩和个性的正面形象。传统婺剧中儿童形象的这种特点一方面折射出普遍性的民众意识如养儿防老、光耀门楣等,另一方面也体现了普通民众朴素的儿童教育观念和对现实的清醒认识,如对命定论、男尊女卑等的否定。
[Abstract]:Children in traditional Wu Opera are mostly vague and play the role of props in order to set off a certain adult image or to convey certain values. There are two types of boys: early and easy to read, able to share worries for their parents, to solve difficulties for their families, to become famous after growing up, and to be proud of their ancestors; to be unruly and untamed when they are young; to be abominable when they grow up. The girl image is less, but often is extremely rich in brilliance and personality of the positive image. On the one hand, this characteristic of the image of children in traditional Wu Opera reflects the universal public consciousness such as raising children and protecting old age, and so on. On the other hand, it also reflects the simple educational concept of children and the sober understanding of reality among the ordinary people, such as the conclusion of destiny. A denial of the inferiority of men, women, etc.
【作者单位】：金华职业技术学院;丹溪小学;
【基金】：2016年浙江省社科联社科普及课题重点课题“浙江婺剧儿童趣味读本”(16ZD12)
【分类号】：J825

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