以《野火春风斗古城》和《木兰诗篇》为例看中国民族歌剧的继承与发展

发布时间：2018-05-14 16:42

本文选题：中国民族歌剧 + 野火春风斗古城　；参考：《天津音乐学院》2011年硕士论文

【摘要】：中国民族歌剧作为中国戏剧艺术的一种新的类别是在继承传统与吸收外来文化的基础之上形成的。它既深受西洋歌剧的影响,同时又充分吸收了中国传统戏曲和曲艺艺术的营养并借鉴现代话剧的多种表演元素,是具有中国特色的歌剧样式。本文以两部具有代表性的中国民族歌剧《野火春风斗古城》和《木兰诗篇》为例,以声乐艺术为研究内容,借助声乐理论,采用谱例分析、唱段分析等方法,从两部歌剧的的剧本创作、艺术特色,音乐特色等方面来探讨和研究这两部作品的艺术价值,延伸出对中国民族歌剧继承和发展上的思考。并在此基础上对在当下活跃的文化市场氛围下如何发展中国民族歌剧提出一些意见和建议。
[Abstract]:As a new category of Chinese dramatic art, Chinese national opera is formed on the basis of inheriting tradition and absorbing foreign culture. It is not only deeply influenced by western opera, but also fully absorbs the nutrition of Chinese traditional opera and quyi art, and draws lessons from various performing elements of modern drama. It is an opera style with Chinese characteristics. This paper takes two representative Chinese national operas "the Old City of Wild Fire and Spring Wind fighting" and "Mulan Poems" as examples, taking vocal music art as the research content, using the vocal music theory, using the methods of spectrum case analysis and choir analysis, etc. This paper discusses and studies the artistic value of the two operas from the aspects of their script creation, artistic features and musical characteristics, and extends their thoughts on the inheritance and development of Chinese national opera. On the basis of this, some suggestions and suggestions on how to develop Chinese national opera under the active cultural market atmosphere are put forward.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J822

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