略论我国两宋时期的傀儡戏

发布时间：2018-05-15 01:14

本文选题：两宋傀儡戏 + 《东京梦华录》　；参考：《四川戏剧》2015年09期

【摘要】：宋代是傀儡戏的兴盛时期,种类多达五种,从业人员众多,并形成较为专业的团队,演出场地也相对固定。皇家的关爱推崇和民众的喜闻乐见势必导致其演出频繁与从业人员的不断增多,从而使傀儡戏在两宋时期空前繁荣。无论是从业人员、演出形式,还是演出场地、欣赏对象以及由此衍生出的相关物事等,都达到了空前绝后的高度。本文通过钩稽宋代五种都市笔记及相关文献中的材料,分析了两宋傀儡戏的特征和表现,进而探究其兴盛原因。
[Abstract]:The Song Dynasty was the flourishing period of puppet operas. There were five kinds of puppet operas, many employees, and formed a more professional team, and the performance venue was relatively fixed. The love and esteem of the royal family and the popularity of the people will inevitably lead to the frequent performances and the increasing number of practitioners, thus making the puppet drama an unprecedented prosperity in the Song Dynasty. No matter the personnel, the form of the performance, the venue, the object of appreciation and the related things derived therefrom, all of them have reached an unprecedented height. This paper analyzes the characteristics and performance of puppet drama in Song Dynasty and probes into the reasons for its prosperity through the analysis of five kinds of urban notes and related documents in the Song Dynasty and the analysis of the characteristics and performance of the puppet drama in the Song Dynasty.
【作者单位】：国家图书馆;绵阳师范学院文学院;
【基金】：教育部人文社会科学研究项目“宋代都市笔记俗语研究”的研究成果,项目编号:13XJC740004
【分类号】：J827

【参考文献】