从“巧巧桑”与“黛丝德蒙娜”来看戏剧抒情女高音的演唱

发布时间：2018-05-16 00:22

本文选题：巧巧桑 + 黛丝德蒙娜　；参考：《武汉音乐学院》2017年硕士论文

【摘要】：本文将从两位戏剧抒情女高音角色“巧巧桑”“黛丝德蒙娜”的人物形象以及音乐片段入手,探究两个不同角色的性格特点与各自的心理变化,对比得出两个角色性格的共性与特性。再通过对剧中两位女主角的经典咏叹调《晴朗的一天》《杨柳,杨柳》的音乐分析,探析两位作曲家对于抒情性与戏剧性的艺术特征所采用的不同表现手法,并以此为依据,结合自己的演唱实践探究戏剧抒情女高音应如何发挥自身优势来演唱好这两个不同角色的咏叹调。最后总结归纳戏剧抒情女高音的性格特征,声部特征以及演唱要求。使声乐学习者进一步提高对戏剧抒情女高音这一声部类型的认识,也为今后戏剧抒情女高音的表演与教学方面提供参考。
[Abstract]:Starting with the characters and music clips of the two lyric soprano characters "Qiaoqiao Sang" and "Destmona", this paper explores the personality characteristics of the two different characters and their psychological changes. The similarities and characteristics of the two characters are compared. Then through the music analysis of the classic arias of the two heroines in the play, "A clear Day", "willow, willow", the two composers use different expressive techniques for lyrical and dramatic artistic features, and on this basis, Combined with his singing practice, this paper explores how the lyric soprano of drama should play its own advantages to sing the arias of these two different roles. Finally, it summarizes the characters, voice features and singing requirements of lyric soprano in drama. So that the learners of vocal music can further improve their understanding of the lyric soprano type of drama, and also provide reference for the performance and teaching of lyric soprano in the future.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617

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