私寓制与晚清梨园文化

发布时间：2018-05-16 18:45

本文选题：私寓制 + 晚清　；参考：《戏曲艺术》2017年01期

【摘要】：梨园私寓制,是诞生于北京的一种戏曲文化现象,是晚清戏曲发展兴盛、社会上层狎优风气盛行的产物。名伶(主要是旦角)创建私寓,招收子弟学戏,并从事侑酒服务,从而使私寓制与晚清社会文化诸多方面产生密切联系,并对戏曲本身发展产生深远影响。私寓制大致形成于嘉庆初年,发展成熟于嘉道之际,繁荣期一直延续到光绪中后叶,一百多年的时间里,其在伶人培养、训练方面形成了自己的特色,开创出晚清剧场的独特观演模式,形成包括伶人品评、私寓谱录、伶人传记和掌故丛谈等各类形式宣传鼓吹艺人的著作,显示出独特的梨园文化景观。
[Abstract]:The private system of pear garden is a phenomenon of opera culture born in Beijing. It is the result of the flourishing development of opera in the late Qing Dynasty and the prevailing atmosphere of superior sex in the upper class of society. Ming Ling (mainly Dan Jiao) established private residence, recruited children to study drama, and engaged in wine service, thus making the private residence system closely related to many aspects of social culture in the late Qing Dynasty, and had a profound impact on the development of the opera itself. The private residence system was formed in the early years of Jiaqing and matured in Jiadao. The prosperous period lasted to the second half of Guang Xu. For more than a hundred years, it has formed its own characteristics in the field of training and training of actors. The unique performance mode of the theater in late Qing Dynasty was created to form the works of various forms of propaganda and advocacy of artists, including the appraisal of actors, private music records, biography of actors and stories, etc., showing a unique cultural landscape of Li Yuan.
【作者单位】：中国戏曲学院戏文系;
【分类号】：J809.2

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