普契尼歌剧《修女安杰丽卡》中咏叹调《没有妈妈》的音乐与演唱分析

发布时间：2018-05-17 07:33

本文选题：普契尼 + “三联剧　；参考：《西北师范大学》2012年硕士论文

【摘要】：“三联剧”是普契尼晚年最后一部作品，虽然剧情简单，作品也较为短小，但它几乎包括了普契尼歌剧创作中所有的技巧和特点，也是普契尼歌剧中最难演绎的作品。《修女安杰丽卡》是“三联剧”中的第二部，也是普契尼最喜爱并且完全由女性角色来演唱的歌剧，其中的咏叹调《没有妈妈》旋律之美，完全可以和《我亲爱的爸爸》等名段咏叹调相媲美。分析和研究这部作品，不仅为我们更加全面地了解和把握普契尼歌剧创作的风格特征，，深刻感受其独特艺术魅力，同时也为更好的演唱这段咏叹调提供一些参考和帮助。
[Abstract]:"Triple play" is Puccini's last work in his later years. Although the plot is simple and the work is relatively short, it almost includes all the skills and characteristics of Puccini's opera creation. It's also the most difficult piece of Puccini's operas. "Sister Angelica" is the second installment of "the Triple Drama," Puccini's favorite opera, sung exclusively by female characters, with the melodic beauty of "No Mother," It is quite comparable to the arias of my dear father. The analysis and research of this work not only provide us with a more comprehensive understanding and grasp of Puccini's opera creation style characteristics, deeply feel its unique artistic charm, but also provide some reference and help for better singing this aria.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832

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