近十年港台戏剧导演比较研究

发布时间：2018-05-17 09:09

本文选题：香港戏剧 + 台湾戏剧　；参考：《上海戏剧学院》2011年硕士论文

【摘要】：国内目前已有不少对于港台戏剧的导演研究文章,但主要集中于对某一个地区的导演研究,或者针对某一位特定的导演。相对来说,缺乏对两个地区的戏剧导演现状的共性和特性的横向比较研究文章,我希望通过我的研究,能够填补这方面的空白。本文的研究对象,是香港和台湾地区的戏剧导演理念,包括导演所传达的剧作思想、导演所用的导演手段等,并尝试归纳其共性与个性、探索其文化土壤和戏剧生态。而研究的时间范围,主要集中在21世纪的前十年,即从2000年至2010年。本文的研究目的,在于试图通过对这两个地区戏剧的戏剧文化背景研究(殖民前史、戏剧生态、人文价值等)和当下导演理念研究(排演方法、导演手段、创作理念等),对两地区的戏剧发展进行一些梳理,同时希望对上海本地的戏剧提供一定的启示。
[Abstract]:At present, there are many research articles on the directors of Hong Kong and Taiwan drama, but they mainly focus on the directors of a certain region or a particular director. Relatively speaking, there is a lack of horizontal comparative research on the commonness and characteristics of the present situation of drama directors in the two regions, and I hope that through my research, I can fill the gap in this respect. The research object of this paper is the drama director idea of Hong Kong and Taiwan area, including the drama thought conveyed by the director, the director's directing method and so on, and tries to sum up its commonness and individuality, explore its cultural soil and drama ecology. And the time range of the study, mainly in the first decade of the 21 st century, that is, from 2000 to 2010. The purpose of this paper is to study the cultural background of drama in these two regions (precolonial history, drama ecology, humanistic value, etc.) and the present director's idea (rehearsal method, directing method, etc.) The creative idea and so on, carries on some combing to the two regions' drama development, at the same time hopes to provide certain enlightenment to the Shanghai local drama.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J811

【参考文献】