剧种史研究的核心问题与艺术史意识——《汉剧史论稿》的启示

发布时间：2018-05-22 07:23

本文选题：戏曲史 + 戏曲文化　；参考：《湖北大学学报(哲学社会科学版)》2017年02期

【摘要】：正朱伟明、陈志勇、孙向峰合著的《汉剧史论稿》(人民出版社2016年版),是近些年来剧种史研究的重要成果。如今,在弘扬戏曲文化的时代语境下,回顾过去,展望未来,是戏曲研究者负有的历史使命,剧种史写作就是一个十分值得关注的课题。在一定意义上说,没有汉剧等地方剧种,也就没有日后大放异彩的京剧。从戏曲发展史看,像汉剧这样的剧种,特色鲜明,影响巨大,既具有地域性,又产生出超越地域的"影响因子"。这样的剧种个案,是戏曲史上绕不开的话题,从事汉剧的剧种史研究与写作,其必要性及重要意义是不言而喻的。
[Abstract]:Zheng Zhu Weiming, Chen Zhiyong and Sun Xiangfeng co-authored the draft of the History of Han Opera (2016 edition), which is an important achievement in the study of drama history in recent years. Nowadays, in the context of promoting opera culture, it is the historical mission of drama researchers to look back on the past and look forward to the future, and the writing of drama history is a subject worth paying close attention to. In a sense, without local operas such as Han opera, there would be no future Beijing opera. From the history of opera development, the drama such as Han opera has distinctive characteristics and great influence, which has not only regional character, but also "influence factor" beyond the region. This kind of drama case is an inextricable topic in the history of drama. The necessity and significance of studying and writing the drama history of Han opera is self-evident.
【作者单位】：中山大学中国非物质文化研究中心;
【分类号】：J825

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