人物角色性格的再认识

发布时间：2018-05-23 20:18

本文选题：性格 + 角色　；参考：《哈尔滨师范大学》2011年硕士论文

【摘要】：每个人的性格都是不同的,演员在舞台上的重要任务就是“演人”,也就是“演性格”。所以,人物性格这个问题就值得作为一个理论知识进行钻研和总结。性格是由各个要素构成的,要想将一个人的性格抓住,就要从各个方面去探寻有关性格的各要素。通过这些要素,迅速将演员自己和角色重叠在一起,找到自己和角色的共同闪光点,加之演员之前的生活记忆和素材,将角色塑造的具有性格化。分析人物性格的时候也要分析环境,要连带写景的部分一起分析。情境是形成人物性格、促使人物行动的指定场所和范围,用于烘托人物活动的时代意义。因此在人物的行动及其语言,也是反映性格的重要因素,在分析人物性格时,这也是不可缺少的一部分。表演的核心问题是演员创造角色性格。表演艺术创造过程就是演员扮演角色并化身角色的过程。“角色”,指剧中人物及由演员扮演而成的舞台人物形象。舞台人物形象是“演员——角色”的矛盾统一体,要化身为“别一人格”的角色,就比其他艺术运用其它物质媒介创造人物性格更为困难。因此,演员创造角色的过程呈现出高度的复杂性。观众进剧场看戏,最终是看人物性格。演员除了要呈现人物性格,还要将人物性格的发展、突转以及最终命运一并表现出来。这样才能使人物形象更加鲜明、更加形象。演员在塑造角色的过程中,利用“物我”关系,深入生活,走进角色,要化身为角色,并要在角色的生活里“生活”起来。角色有属于自己的性格逻辑,演员只有在独特的典型的角色性格逻辑中去行动及生活,才能找到角色的不同之处。从审美角度讲,人物性格的色彩美,语言美,情致美,这些都为一个鲜活的人物呈现提供不可忽视的作用。
[Abstract]:Each person's personality is different, the actor's important task in the stage is to "act", that is, "acting character." Therefore, the character of the problem is worth as a theoretical knowledge of the study and summary. Personality is made up of various elements, to grasp a person's character, we must explore all aspects of the elements of character. Through these elements, the actor and the role quickly overlap together, find themselves and the role of the common flash, coupled with the actor before the memory of life and material, the character of the shaping of the character. When analyzing the character, we should analyze the environment, along with the part of the scene. The situation is the designated place and scope to form character and promote character action, which is used to contrast the age meaning of character activity. Therefore, the action and language of characters is also an important factor to reflect character, and it is also an indispensable part in the analysis of characters. The core problem of acting is that actors create character. The creative process of performing art is the process in which actors play roles and incarnate roles. "role" refers to the characters in the play and the characters on the stage played by the actors. The stage character image is the contradictory unity of "actor-character". It is more difficult to incarnate the character of "another personality" than other art to create character with other material media. As a result, the actor's role creation process presents a high degree of complexity. The audience went to the theatre to watch the play, and finally to see the character. In addition to presenting character, actors must show their development, sudden change and ultimate fate. Only in this way can the characters be more vivid and more vivid. In the process of shaping the character, the actor uses the relation of "matter and self", goes deep into life, enters into the role, incarnates into the role, and "lives" in the life of the character. Characters have their own personality logic, actors only in the unique typical character logic to act and life, can find the role of differences. From the aesthetic point of view, the color beauty, the language beauty, the emotion beauty of the character all provide the function which can not be ignored for a vivid character.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J812.4

【参考文献】