普契尼歌剧“蝴蝶夫人”与“托斯卡”音乐形象塑造的比较研究

发布时间：2018-06-06 09:46

本文选题：普契尼 + 蝴蝶夫人　；参考：《哈尔滨师范大学》2011年硕士论文

【摘要】：歌剧是以音乐展开的戏剧,而形象是戏剧主题与哲理内涵的负载者、阐释者和体现者。人物形象的塑造是否成功对于一部歌剧具有至关重要的。在歌剧的历史舞台上,能将女性形象写得最出色、最动人、最难忘的歌剧大师非普契尼莫属。无论是纤弱多病绣花女咪咪,还是天真烂漫的日本少女巧巧桑,美艳动人的歌星托斯卡、或是痴心护主的女仆柳儿等等,这一系列著名的歌剧形象,使她们都成为了歌剧史上的一个个经典。研究这些女性人物形象的塑造过程塑造成果,深入感悟歌剧具有重要的意义。本文选取了普契尼创作的两部著名的歌剧《蝴蝶夫人》巧巧桑女性形象和《托斯卡》中的女性形象托斯卡进行比较分析,通过分析他们相同和不同之处,能够更深刻的体会作曲家普契尼创作的风格,意图和内涵,同时结合自己的本专业,认真分析这两部歌剧著名的女高音咏叹调“晴朗的一天”和“为艺术、为爱情”,从中分析出人物的性格特点,把握好演唱的尺度和分寸,使理论结合上实际,这是本文写作的意义所在,为日后的演唱和教学提供积累,正文分为三部分第一章,简要概述作曲家普契尼的创作背景第二章,对“蝴蝶夫人”和“托斯卡”的音乐形象塑造进行分析和比较第三章,通过对两个人物的咏叹调分析,比较在演唱部分的处理的差异,同时并阐述演唱歌剧时对于不用角色的把握
[Abstract]:Opera is a drama with music, and image is the load, explainer and embodiment of the theme and philosophy of drama. Whether the character is successful or not is of vital importance to an opera. Puccini is the best, most moving and most memorable opera master on the stage of opera history. Whether it is Mimi, a frail, diseased embroidered girl, or the innocent Japanese girl Qiaoqiao Sang, the beautiful and moving singer Tosca, or Liu er, the maid of the devoted guardian, and so on, this series of famous opera images, They all became classics in the history of opera. It is of great significance to study the achievements of the shaping process of these female characters and to deeply understand the opera. This article selects two famous opera, Lady Butterfly, by Puccini to compare the female images of Qiaoqiao Sang and Tosca, and analyzes their similarities and differences. To have a deeper understanding of the style, intention and connotation of composer Puccini's creation, and at the same time to analyze the two famous soprano arias of these two operas, "A clear Day" and "for Art, for Love," in combination with his own major. It is the meaning of this paper to analyze the character characteristics of characters, grasp the scale and measure of singing, and combine theory with practice. It provides accumulation for singing and teaching in the future, and the text is divided into three parts. The first chapter briefly summarizes the background of composer Puccini's creation. The second chapter analyzes and compares the musical images of Lady Butterfly and Tosca. The third chapter, by analyzing the arias of the two characters, compares the differences in the handling of the singing part, and expounds the grasp of the non-role when singing the opera.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832

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