论梨花大鼓及其艺术特色
发布时间:2018-06-06 11:47
本文选题:梨花大鼓 + 历史 ; 参考:《河北大学》2009年硕士论文
【摘要】:梨花大鼓是冀中南一带具有民间特色的一种曲艺形式,它根植于民间,具有鲜明的地域文化特色。在一百多年的发展历程中,有着深厚的曲艺文化积淀,经历了从原始的、个体的自由式演唱到传承的集体团队演出,其成长、发展规律同其他戏曲艺术一样,也是由低到高,由简到繁,从幼雏走向成熟,逐步完善和提高。威县梨花大鼓是一种以“唱为主,说为辅”的曲艺形式,风格朴实,运字行腔声情并茂,唱腔丰富多变,以板式梨花腔为主,素有腔多字少、其曲调高昂,说、唱、道、白兼备,叙事抒情交融,是一种独特的声腔艺术,曾被京韵大鼓、梅花大鼓、山东快书等曲种吸收,具有很高的艺术价值。梨花大鼓曲目极为丰富,有400余部鼓书段子流传。这些曲目长期流传在广大艺人和人民群众中,在流传的过程中有着再次的集体创作过程,凝聚着人民的智慧,在某种程度上,也反映了人民的思想、感情和愿望。表演形式灵活机动,素有“曲艺轻骑”之称,以受众为中心,与受众审美情趣相投和,为当地人民群众喜闻乐见,它的发展、繁荣为当地政治、经济、文化产生了积极作用。始终以“化雅为俗、俗中见雅”的形式,对宏阔内容和丰富意蕴进行轻灵顺畅地传递,是梨花大鼓最突出的特色。本文对威县梨花大鼓产生和发展的历史进行了梳理,对它的音乐形式进行了分析,对它的文化艺术价值进行了总结。目的是让更多的人认识、了解梨花大鼓这个地方曲种,从而使更多的人来关注地方文化,传承地方文化,发展地方文化。并在此基础上提出了保护和挽救这一古老的地方曲种的方法和措施。
[Abstract]:Pear Dagu is a folk art form with folk characteristics in the central and southern part of Hebei Province. It is rooted in the folk and has distinct regional cultural characteristics. In the course of more than one hundred years of development, there has been a profound accumulation of quyi culture, experienced from primitive, individual freestyle singing to inheritance of the collective team performance, its growth, development law, like other opera art, is also from low to high. From simplicity to complexity, from young to mature, gradually improve and improve. Weixian Lihua Drum is a kind of quyi art form with "singing as the main part, saying as auxiliary", simple style, rich and changeable singing, with a large number of characters, its tunes are high, saying, singing, and Tao. White and lyrical narrative is a unique vocal art, which has been absorbed by Beijing rhyme Drum, Plum Blossom Drum, Shandong Express Book and so on, and has high artistic value. Pear Dagu repertoire is extremely rich, there are more than 400 drum books spread. These songs have been circulated among the artists and the masses for a long time. In the process of spreading, there is a collective creative process again, which condenses the wisdom of the people and, to some extent, also reflects the people's thoughts, feelings and aspirations. The form of performance is flexible and flexible, known as "quyi light riding", which takes the audience as the center, and shares the aesthetic interests of the audience, and is popular with the local people. Its development and prosperity have played a positive role in local politics, economy and culture. It is the most prominent feature of pear flower drum that the form of "transforming elegance into vulgarity and seeing elegance in vulgarity" is the light and smooth transmission of grand and broad content and rich meaning. This paper combs the history of the emergence and development of the pear drum in Weixian, analyzes its music form and summarizes its cultural and artistic value. The purpose is to let more people know and understand the local music species of pear flower drum, so as to make more people pay attention to local culture, pass on local culture, and develop local culture. On this basis, the methods and measures to protect and save this ancient local song species are put forward.
【学位授予单位】:河北大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J826
【参考文献】
相关期刊论文 前1条
1 刘娜;;威县梨花大鼓唱腔音乐考释[J];邢台学院学报;2007年04期
,本文编号:1986417
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