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论歌剧《小二黑结婚》中“三仙姑”演唱的民族性、戏剧性、真实性

发布时间:2018-06-06 12:00

  本文选题:歌剧 + 小二黑结婚 ; 参考:《中国音乐学院》2012年硕士论文


【摘要】:歌剧进入中国已将近百年,经过歌剧工作前辈们的不断探索与尝试,已经形成了风格多样的表演形式。本文所研究的是民族性较强,更多的借鉴中国戏曲元素创作的,充满乡土气息和生活情趣的歌剧。本人通过多次参加歌剧《小二黑结婚》的演出,塑造三仙姑这个角色,从实践中总结方法和内心体验的经验,查阅了自这部歌剧问世以来的一些文献资料以及一些对小说中“三仙姑”这个人物的研究文献,此外还包括第一代演员的录音资料、电影等。找到了新的突破点,攀升对人物理解的新高度。本文旨在以“三仙姑”为例,谈谈如何借鉴传统、吸收各类艺术之精华,加以自己的理解与创造,运用准确真实的表演,对歌剧中唱腔的加工润色、语言的韵味、人物的性格刻画进行深入的研究,体现角色的艺术价值。对所提出的民族性、戏剧性、真实性这三个问题分别从音乐、语言、表演进行分析并有机结合,系统的阐述如何按照现在的审美观念演绎经典歌剧,高度总结出歌剧《小二黑结婚》的音乐和戏剧内涵及其所渗透的民族情怀,乃至中国民族歌剧表演艺术的特色和发展趋势。
[Abstract]:Opera has been in China for nearly a hundred years. Through the continuous exploration and attempt of the predecessors of opera work, it has formed a variety of styles of performance. This article studies opera with strong nationality and Chinese opera elements, which is full of local flavor and life interest. I have participated in many performances of the opera "er black wedding", molded the role of the three Immortals, summed up the experience of the method and the inner experience from the practice. This paper reviews some documents since the publication of the opera, and some research documents on the character of "three Immortals" in the novel, as well as audio recordings of the first generation of actors, films and so on. Found a new breakthrough, climbing the new height of understanding of the characters. The purpose of this paper is to take the "three Immortals" as an example to talk about how to draw lessons from tradition, absorb the essence of all kinds of art, make their own understanding and creation, use accurate and real performances, process and polish the singing cavity and the charm of the language in the song play. The character depicts the character to carry on the thorough research, manifests the role artistic value. This paper analyzes and organically combines the three questions of nationality, drama and authenticity from music, language and performance, and expounds systematically how to interpret classical opera according to the present aesthetic concept. This paper sums up the musical and dramatic connotations and the national feelings permeated by the opera, especially the characteristics and development trend of the performing art of Chinese national opera.
【学位授予单位】:中国音乐学院
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J617.2

【参考文献】

相关期刊论文 前2条

1 罗小平;音乐表演再创造的美学原则[J];音乐研究;1986年02期

2 郭建民;20世纪20-60年代的中国歌剧表演艺术[J];音乐研究;2002年01期



本文编号:1986445

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