论昆曲青春版《牡丹亭》对传统昆曲的革新与发展

发布时间：2018-06-17 22:39

本文选题：昆曲现状 + 青春版　；参考：《河北大学》2009年硕士论文

【摘要】：一般而言,世界三大古老戏剧是指：古希腊戏剧、印度梵剧以及我国的昆曲,而今天唯一保留舞台演出形式的,仅存我国传承600多年的昆曲艺术。所谓昆曲,又称昆山腔,简称昆腔,清以后称昆曲,现代又称昆剧,因形成于昆山(今江苏省)一带而得名。①2001年5月,昆曲艺术被联合国教科文组织宣布为世界首批人类口头遗产和非物质遗产。由于种种原因,古老的昆曲在今天这个娱乐手段多样化的时代丧失了时尚性和大部分娱乐功能,离当代人、尤其是年青人的审美需求越走越远。2004年,青春版《牡丹亭》一经首演便大获成功。以白先勇为总制作人的团队对传统的《牡丹亭》进行了诸多方面的革新与创作,例如在剧本方面,尊重原著,取其精华；在导演方面：传承古典,融合现代；在舞美方面：现代舞台,典雅气质；在表演方面：青春靓丽,细腻传神；在唱腔方面：天生亮嗓,唱功不凡。白先勇先生对于昆曲演员的年轻化以及舞台美术方面的创新工作是十分必要的,因为这些有助于古老的戏曲随着时代的步伐前进,在新世纪重新焕发生命的活力。固步自封的态度对于戏曲的复活与发展是绝对不利,甚至会产生阻碍作用的。无论就《牡丹亭》这出中国戏曲经典的阐释历史和演出历史来说,还是就昆曲乃至中国戏曲的发展历史来说,白先勇的青春版《牡丹亭》的成功演出,都带有里程碑的意义,值得认真总结和思考。本文力图通过对昆曲青春版《牡丹亭》革新与发展的探讨,提出昆曲革新是昆曲艺术走出困境,重新焕发青春的一个有力手段,并通过分析传统昆曲的状况,得出昆曲在当今兴衰的原因,同时反观当下我国昆曲的真实处境,希望为我国昆曲艺术的发展尽自己的一点力量。
[Abstract]:Generally speaking, the three major ancient dramas in the world refer to the ancient Greek drama, the Indian Brahma opera and the Kunqu Opera of our country, but the only one that retains the form of stage performance today is the art of Kunqu Opera which has been handed down by our country for more than 600 years. The so-called Kunqu Opera, also known as the Kunshan Opera, was called Kun Opera after the Qing Dynasty, and the modern Kunqu Opera was named for its formation in the area of Kunshan (now Jiangsu Province) in May 2001. The art of Kunqu Opera was declared the first oral and intangible heritage of mankind by UNESCO. For a variety of reasons, the ancient Kunqu Opera has lost fashion and most of its entertainment functions in today's age of diverse entertainment, and has gone further and further from the aesthetic needs of contemporary people, especially young people. In 2004, Youth version of "Peony Pavilion" once the premiere was a great success. The team of Bai Xianyong as the chief producer has innovated and created the traditional Peony Pavilion in many aspects, for example, in the script, respect the original works, take the essence of the original works, in the direction of the director: inheriting the classical, integrating the modern; In the aspect of dance: modern stage, elegant temperament; in the performance: beautiful youth, delicate vivid; in singing: born bright voice, outstanding singing skills. Mr Bai Xianyong is necessary for the rejuvenation of Kunqu opera actors and the innovative work of stage art, which helps the ancient operas to rejuvenate themselves in the new century with the pace of the times. A steady attitude is absolutely unfavorable to the revival and development of the opera, and even hinders it. In terms of the interpretation history and performance history of the Chinese opera classic "Peony Pavilion", as well as the development history of Kunqu Opera and Chinese opera, the successful performance of Bai Xianyong's Youth Edition "Peony Pavilion" has milestone significance. It is worth seriously summing up and thinking. This paper tries hard to discuss the innovation and development of "Peony Pavilion" in the youth edition of Kunqu Opera, and points out that the innovation of Kunqu Opera is a powerful means for the art of Kunqu Opera to get out of the predicament and to rejuvenate itself again, and through the analysis of the situation of the traditional Kunqu Opera, The reasons for the rise and fall of Kunqu Opera are obtained. At the same time, the author looks back at the real situation of Kunqu Opera in our country and hopes to do his part for the development of Kunqu Opera art in our country.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825

【引证文献】