樊粹庭悲剧理念与其创作实践

发布时间：2018-06-18 13:47

本文选题：樊粹庭 + 悲剧　；参考：《河南大学》2010年硕士论文

【摘要】： 樊粹庭先生是杰出的豫剧改革家,他在二十世纪三—四十年代创作了一大批优秀的豫剧剧目,在社会上引起强大的反响,被观众爱称为“樊戏”。樊戏最具艺术魅力的部分来自其悲剧剧目。这些剧作紧密结合时代需求,以抗击侵略、反抗阶级压迫为主题,塑造了一批具有高尚人格的女性形象;剧作打破了传统千篇一律的“大团圆”结局,吸摄西方悲剧理念,舍弃了明清传奇那条“光明的尾巴”,很好地体现了人物的悲剧性格和抗争精神,在特殊的历史时期起到了激励、鼓舞民众的重大作用。目前学界对樊戏悲剧的理论探讨比较零散,缺乏专门的系统的研究。本文围绕樊戏的六部悲剧作品,即《涤耻血》、《义烈风》、《霄壤恨》、《巾帼侠》《三拂袖》《花媚娘》,揭示樊粹庭的悲剧理念,希望对当下的豫剧创作起到一定的借鉴作用。全文共分为绪论、正文和余论三部分。绪论部分概述樊先生的悲剧创作的价值及研究意义。第一章:樊粹庭与其悲剧创作。简要介绍樊粹庭先生的生平和悲剧作品,回顾学界的研究情况。第二章:国难当前的警世之音。总体俯瞰樊先生悲剧作品的特征,特殊的时代因素影响下呈现的特殊面貌。樊先生的悲剧作品产生在国家危难之际,国难当头催开了这朵悲剧之花。作家有着鲜明的创作意图,通过戏剧警示教育民众;“乱世之音怨以怒”,樊戏悲剧具有愤怒悲壮的风格特征。第三章:人文关怀——樊戏中的新女性形象。樊戏悲剧继承传统人文主义精神,以女性为主人公。剧中女性善良无私,具有高尚的道德情操,同时具有强烈的反抗精神和“自由自决的主体性格”,为了捍卫尊严与信念,甚至付出了自己的生命。透过她们至善至美的人格体现了作者对美好人性的呼唤;她们的毁灭则体现了作者的悲剧意识。剧作体现出一种悲悯的人文气息和西方式的崇高感。第四章:中西合璧的悲剧理念。阐述樊先生通过颠覆常规的“大团圆”模式,吸摄西方悲剧的创作理念来提升中国的悲剧精神。同时,总结樊戏悲剧对当下豫剧剧本创作的启示意义。余论部分总结樊粹庭先生的成功经验。
[Abstract]:In the third and 1940s of the twentieth century , he created a large number of outstanding opera drama , which was called " Fan Play " in the 1930s and 1940s . The most artistic charm of Fan opera came from its tragic drama .

The thesis is divided into three parts : preface , text and Yu Lun .

The introduction part gives an overview of the value and significance of Mr . Fan ' s tragedy creation .

Chapter One : Facification and his tragic creation . Brief introduction of Mr . Fan ' s life and tragedy works , reviewing the research situation in the academic field .

Chapter 2 : The current sound of the nation ' s tragedy . Overall , Mr . Fan ' s tragic work is characterized by the special features of the tragic work of Mr . Fan . When the tragedy of Mr . Fan produced a special feature under the influence of the special times , it is difficult for the country to rush through the tragedy . The writer has a distinct creative intention to warn the people through drama .

Chapter 3 : The new female image in the humanistic care _ Fan drama . Fan opera tragedy inherits the traditional humanism spirit , and takes the female as the hero . In the drama , the female is kind and selfless , has the noble moral sentiment , and has the strong resistance spirit and the " free self - determination subject character " . In order to safeguard the dignity and the belief , and even pay their own life . Through their supreme beauty , the author ' s call for the good human nature reflects the author ' s tragic consciousness .

Chapter Four : The tragedy idea of Chinese and Western combined wall . This article expounds the significance of the tragedy of Fan opera to the contemporary opera creation by turning the traditional " big reunion " mode and absorbing the western tragedy ' s creative idea to promote the tragedy spirit of China .

Yu Lun partly sums up the successful experience of Mr . Fan .
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825

【引证文献】